With themes dealing with incest, molestation, rape, depersonalization, mutation and transexuality, Sono takes you to a dark and disturbing journey. An unforgettable one. I've always seen Sono's works as ambiguous, weird and bizarre. Strange Circus might have just brought that to another level, rivaling even that of Takeshi Miike's standards.
This film deals a lot with the deconstruction of collectivism which really is a trait of Japanese society compared to the more individualistic trait of western society. You destroy one, you destroy the other. You create one, you take the other. The use of a traditional family (father, mother and child) is an example of that. Their home, one that looks more Western also shows that.
And Sono deconstructs family here, ultimately, to find individual identity for the characters. It's not an entertaining film. It's poetic in the most disturbing and weird way. There's a lot of metaphors, a lot of dark and bloody visuals. The white walls symbolizing innocence and purity is tainted with the horrors that unfold. And that last scene. So much symbolism. Anyone would think it's weird. But it actually meant a lot (and a satisfying close too) to the film's overall story.
Ultimately, the very ambiguous ending and non-linear storytelling tests the audience. Presenting you a disturbing way to tell a story, it asks if you indeed, as a viewer, were paying attention. Can you tell what's real or not? Sono takes you in, tries to make you think you understand it, only to stab you in the back with a plot twist that makes you question your own judgement. That part reminded me so much of Satoshi Kon's Perfect Blue. That psychological mindfuck.
Perhaps, the only problem that I have is the ambiguity of the story seems like it's going no where. The story itself doesn't have a goal, at least it wasn't established until the last 40-30 minutes of the film. You, the audience have a goal which is to figure out what the heck is happening. And if you don't know what's happening because of the huge ambiguity, that's a problem too.
Was I disturbed? You bet I was. But it's not because of the blood and gore. I was much more disturbed watching Miike's Audition. But the themes here are ones that will put a lot of people off. The rather surprising (and at the same time) cliche plot twist as well. It's a film that's a lot to take in, it's not enjoyable. But the masterful storytelling is one to applaud this film for.
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This review may contain spoilers
Pro tip: don't look at the MDL cast section.Welcome to the Strange Circus, where nothing is as it seems to be...
The first quarter of the film portrays the visually disturbing sexual abuse of a school principle of his wife Sayuri and eventually her daughter Mitsuko too. Everything—starting from the school halls to the manor, transforms in its appearance and becomes horrendously red and bloodied or white emptiness as we start seeing the world from Mitsuko’s perspective.
At this point, while I’m wondering how long the movie will stretch this storyline, Sono Sion makes this strange circus stranger as we now realise that this is an erotic novel written by a female author Takeo, being read out by the editors. Amongst the editors is the young assistant Yuji.
As the plot goes on, Sono Sion makes it even more bizarre and everything becomes a lie.
“Strange Circus” was all over the genres. It was at times a mere psychological thriller, then a complex mystery and later, a melodramatic revenge plot. This is perhaps testimony to the brilliant complex layers that Sono Sion has skillfully crafted. As one perplexing twist occurs one after the other, much akin to an acrobat in a circus, do we realise how truly complex this maze is.
Quite worth the watch but recommended only to those who can stomach the grotesqueness.
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Twisted, disgusting, unsettling. All of the bad words.
I feel like whenever I watch a Sion Sono film I need a few months off to recuperate from the emotional ordeal one often goes through when watching one of his films.This film is everything people said it was. Disgusting and intense with what you are expected to watch as the story unfolds, but I think the main issue with this film is that it is way too front loaded in terms of it's shock value and the imagery it gives to you as more or less as soon as the movie starts. The first ~40 minutes are like a nightmare that won't end, and weirdly enough the rest of the movie is fairly tame in comparison to that first 40 minutes or so. In any other movie the remainder of the film would have been shocking, but in the case it wasn't.
Sion Sono has other films in his filmography that do a much better job of commenting on the depths that human depravity and psyche can go to, this movie feels more like it was made purely for the shock value, which feels silly to say about a Sion Sono film, but one of the captivating things about his movies is there is usually a lot more below the surface. I just didn't feel it with this one.
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The movie itself was very well made, I'd say from a moviemaking standpoint (not writing) it's Sono's most polished I've seen so far. The set design was fantastic, the movie was shot very beautifully at times with some really creative visual ideas and a lot of visual symbolism. The writing was also good, the plot and mystery unfurled very well, and by the end the reveals are satisfying yet still thought-provoking, although I had some gripes with how Yuji was written as it progressed. The non-linear narrative was handled well and never became convoluted. I really liked Masumi Miyazaki's performance at the end, reminded me of Mitsuru Fukikoshi as Shamoto in Cold Fish, which is one of my favourite performances.
This guy's thumbnail sums up my reaction to the movie: i.ytimg.com/vi/ycrneYdtqJ0/hqdefault.jpg
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