MicheleCali
Italy
An hymn to sweetness
I approached this show by chance, as usual. I use to listen to music from k-drama OSTs and this is a way for me to put in my watchlist new shows. Even this time the method worked fine and I had the chance to watch this sweet story.
It's true: the story is a light one, and the drama within is not a tragic one. But that's a story about good feelings and sweetness and love. A fairy tale? Yes: it is. A modern one where the leads are not a prince and a princess but the two clumsy toads, the two boisterous ugly ducklings, the story of two youths and their transformation in young adults, of their feelings and their growth to a sweet love story. And sweetness and love are the key elements of this show, not only between the two leads, but also with the rest of their relatives, their friends, their acquainted too
The plot, nothing unconventional TBH, based upon the well run-out structure of several youths' love stories we can find in k-dramas. But anyway brilliant, apart some irritating support roles.
The leads, simply awesome. Lee Sung-kyung is constantly well identified with her character Kim Bok-joo, and she shows herself well talented and credible even during the weightlifting scenes, not having she exactly the phisique du role (I read an interview where she admitted having gained more than 10kg to play Bok-joo's role). Sweet, beautiful, charismatic, funny, loving. A special mention to her eyes, which in this show often stands out in all their stunning beatutifulness. Nam Joo Hyuk is in his typical role, seen again in Twenty-Five Twenty-One and Start-Up, just saying. His character is a perfect sweetheart, mature, fascinating. I liked a lot both of them and the way they shared together the scene all time long, being both fun, showing chemistry and never ending loving sweetness as a couple.
The support roles, some nice, other too much rough or even annoying. I appreciated the path to redemption Si-ho walked changing her being from an obnoxious frustrated negative gymnast (sharing the traits with her discipline mates) to a woman, who accepted to get rid of the past and the huge suffering it brought in her life and to face herself, turning finally to a more comfortable self well-being.
The music, nice OST, I have to say thank you to it for having let me finding the show.
Nice the phography and the direction.
Enjoyed till the end, tears included for the sweetness: recommended the vision.
It's true: the story is a light one, and the drama within is not a tragic one. But that's a story about good feelings and sweetness and love. A fairy tale? Yes: it is. A modern one where the leads are not a prince and a princess but the two clumsy toads, the two boisterous ugly ducklings, the story of two youths and their transformation in young adults, of their feelings and their growth to a sweet love story. And sweetness and love are the key elements of this show, not only between the two leads, but also with the rest of their relatives, their friends, their acquainted too
The plot, nothing unconventional TBH, based upon the well run-out structure of several youths' love stories we can find in k-dramas. But anyway brilliant, apart some irritating support roles.
The leads, simply awesome. Lee Sung-kyung is constantly well identified with her character Kim Bok-joo, and she shows herself well talented and credible even during the weightlifting scenes, not having she exactly the phisique du role (I read an interview where she admitted having gained more than 10kg to play Bok-joo's role). Sweet, beautiful, charismatic, funny, loving. A special mention to her eyes, which in this show often stands out in all their stunning beatutifulness. Nam Joo Hyuk is in his typical role, seen again in Twenty-Five Twenty-One and Start-Up, just saying. His character is a perfect sweetheart, mature, fascinating. I liked a lot both of them and the way they shared together the scene all time long, being both fun, showing chemistry and never ending loving sweetness as a couple.
The support roles, some nice, other too much rough or even annoying. I appreciated the path to redemption Si-ho walked changing her being from an obnoxious frustrated negative gymnast (sharing the traits with her discipline mates) to a woman, who accepted to get rid of the past and the huge suffering it brought in her life and to face herself, turning finally to a more comfortable self well-being.
The music, nice OST, I have to say thank you to it for having let me finding the show.
Nice the phography and the direction.
Enjoyed till the end, tears included for the sweetness: recommended the vision.
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