The Yin-Yang Master: Dream of Eternity is a much anticipated movie that went through hell and back, and literally pulled us fans into the same predicament. This production has been plagued by backlash against its director-screenwriter, Guo Jing Ming who lost a plagiarism lawsuit back in 2004 for a novel that he had published and since then, there have been those in the industry calling for a continued boycott of his works. On top of that incident, another accusation of plagiarism was made against him, this time for this movie where certain scenes resembled Marvel’s 2016 release of Doctor Strange. This fresh wave of backlash had resulted in the film being pulled from cinemas less than 2 weeks after its initial release in China on Christmas 2020. There were real fears that Netflix, which acquired the world-wide distribution rights, may pull the plug on this as well. Fortunately, it did not and the movie was released on the streaming platform as originally scheduled on 5 February 2021.

Dream of Eternity is adapted from the novel series Onmyōji by Yumemakura Baku, with a fair amount of interpretation through the screenplay (as I understand from various news sources) written and directed by Guo Jing Ming. This is the 3rd incarnation of live-action based on the novel series, the first two were Japanese adaptations in 2001 and 2003, and comes into direct comparison (and probably competition as well, due to the timing) with another movie based on the Onmyōji mobile game (which is also inspired by the original novel series), The Yin Yang Master. To be perfectly honest, I haven’t read the novel series, played the mobile game, and even seen the two Japanese adaptations. So I went into this on a huge wave of anticipation and excitement based on rave reviews by nearly everyone who had seen the movie.

The plot focuses on the adventures of the lead character, cosmologist (Onmyōdō, the traditional Japanese art of esoteric cosmology) Qing Ming as he investigates strange cases linked to an overarching mystery involving the heavenly realm and a mystical artifact. This takes place in a fantasy world where supernatural beings (demons, and others that I’m unsure of how to classify) co-exist. Along the way, he develops a friendship (and bromance with hints of BL) with the Imperial Guard (similar to the Embroidered/ Brocade Jing Yi Wei guards) Bo Ya. Together they form a formidable partnership in tackling the unsavoury otherworldly (super)villains that get in the way of solving mysteries. They also encounter other intriguing supporting characters such as Princess Zhang Ping, Master Long Ye and He Shou Ye.

If the story depicted here is anything like the original source material, I’m severely tempted to start reading the novel series. Exquisitely intricate world building of the highest degree with equally fleshed out major and supporting characters. Little wonder a running time over 2 hours is needed to bring this entirely fantastical setting to life. It certainly did not feel that long at all, as the storytelling progresses at a reasonably engaging and quick pace with perfectly-timed intensity and thrills where it mattered. Perhaps an additional 15 to 20 minutes would have provided more richness and depth to certain scenes and the development of character build-ups and relationship dynamics.

The cast is one of the major reasons for getting excited over this movie. Mark Chao headlines the eclectic ensemble that also comprises the likes of Deng Lun and Olivia Wang. The award-winning Mark Chao is globally renowned for his role of Ye Hua in Eternal Love (TMOPB) as well as numerous other starring roles since he made his debut in the critically-acclaimed Monga a decade ago. Deng Lun is another big name in the xianxia series through his major role in Ashes of Love. Olivia Wang is probably not as universally renowned as the two gentlemen, but she has been no less prolific with a portfolio of works that spans 15 years in the industry.

The characters of Qing Ming and Bo Ya were delectably portrayed by Mark and Deng respectively. Mark invokes a particularly subtle kind of charm and sophistication as the titular Yin-Yang Master that makes him appear genuinely warm and sincere but with a dash of self-assured confidence. Deng’s Bo Ya is seemingly more minimalist with a stoic disposition permanently etched on his entire being. These two make for a great couple, whether as brothers-in-arms or even beyond the usual conventions. Wang was almost unrecognizable as the Princess Zhang Ping, even without the heavy Tang-esque makeup. I felt that although she was probably way out of her comfort zone in this role because it was such a controlled and subdued character to portray, her performance was on point. Her character is arguably one of the most enigmatically intriguing.

The most talked about aspect of this production that garners the highest praise from most viewers, with which I agree wholeheartedly, is its visual representation. This is a big budget production that seamlessly blends top-tier CGI technology, beautiful cinematography, and astounding choreographed sequences with breathtaking set designs and immaculate costumes that embody the world of Onmyōji, supposedly set in the Japanese Heian period. There is absolutely no way to describe how visually stunning this film is - you just have to see it for yourself. Principal photography fully took place at Hengdian World Studios and apparently this film and a sequel were filmed back-to-back in what is a planned series. The impressive visual effects were provided by the well-known Korean animation and motion picture VFX production company, 4th Creative Party which had produced feature films in Asia, Hollywood and Europe, most notably Okja, Snowpiercer, and The Host.

The music in the film is no less exquisite, composed by celebrated Japanese composer Kenji Kawai, famed for his works in Ghost in the Shell, Death Note and Ip Man series, among many others. The BGM for this production is one of the best in the fantasy genre, where traditional sounds blend harmoniously with contemporary tones. The OST lists 2 tracks used in the film, both of which are slow-tempo ballads:

Heart Fallen 心殇人 - Huang Ling 黄龄
Infatuation Tomb (Ending Song) 痴情冢 – Deng Lun 邓伦

Overall, The Yin-Yang Master: Dream of Eternity is an exceptionally well-crafted film that is stunning to watch, refreshingly straightforward and uncomplicated (despite the premise), and effortlessly enjoyable as well as fun. It’s a no-brainer, what are you waiting for? (before Netflix actually removes the content because of plagiarism issues...).