From its hypnotic style to its pessimistic plot, Sonatine is a mesmerizing manifestation of Takeshi Kitano's continued revitalisation of the yakuza movie. It is a largely peaceful, contemplative work, punctuated by moments of extreme violence all delivered with purpose balancing the fine line between gorgeously dreamy and grim reality. Kitano's haunting elegy to the gangster way of life, he spends the film exposing the gangster ideal as the myth, of little boys who forget to grow up, doing so with incredible flourishes of style, playfulness and jarring outbursts of his trademark humour. Having only written four scenes, the vast majority of the film was largely spontaneous, often Kitano finding his feet in the moment at hand. Sonatine sees the bleak suicidal tendencies of Kitano's mind coming right to the forefront, especially since he suffered partial facial paralysis after a motorscooter accident not long after this film's release. One he has often mentioned was an unconscious suicide attempt, this alone lends a massive amount of weight to the Russian Roulette sequences, giving Sonatine so much more emotional levity to its already unconventional narrative. With the addition of another stunning musical score by Joe Hisaishi, Sonatine rewards those with patience, offering up plenty of existential dread among its exceptional beauty.