DrKay
A Korean billionaire romance with potential
Seven episodes in, I'm yet to see what the proposal is or what it has to do with any of the businesses in the show because the contractual relationship doesn't seem to be it considering how it was treated. ABP is also guilty of following several stereotypes and clichés that are now so old that they might as well be outdated. How many times haven't we already watched/read a story of a fake identity/contractual relationship? In how many dramas have we not seen women subtly or unsubtly directly or indirectly taking each other down? Since I've not read the original work this series is based on, I can't say if this typical storytelling is the brainchild of the author or the screenwriter but for the premise it promises, it lacks substance.
There is the usual hardworking middle class family of the female lead, her equally crazy and supportive best friend who, refreshingly, has a thing for the second male lead, the charismatic and rich hero who has a tragic past, a sweet and reserved SML who is his best friend and an eccentric grandfather who just wants to hold great grandchildren in his arms. So, the characters are ready, and the foundation is laid but when these are established, there is not much to take the story forward. ABP thus transcends genres in the sense that it jumps from comedy to romance to what is looking to be melo. The point of discontent here is that the story had (still has) potential but instead goes chasing after useless elements.
An unrequited crush who leads the heroine on, his on again-off again girlfriend who is existentially jealous of Shin Ha Ri and a perverted neighbour are plot devices of yesteryears, not 2022. Of course, the men save their women every time and the two women have nothing to talk about other than their suitors or love interests. When this first happened in episode 1, I decided to wait out and hope for some betterment, seeing that it all begins with a blind date, but nothing seems to have improved from then to now. While passing the Bechdel test is not indicative of how well a series does, it is tiring to see women whose entire lives revolve around men, and not themselves. That the original novel has a better reason for Ha Ri agreeing to the contract is just another fact to lament.
BUT the male characters are written well. Their traits are cute, lovable and new. A big plus to ABP's characterisation is their gentleness. How often do we find an old man addicted to dramas so much that he actually sets up alarms and gives a running commentary while watching them? I can totally see Ha Ri's mother and Tae Moo's grandpa hitting it off when they meet. Tae Moo, in turn, maybe an archaeopteryx who for whatever reason puts on a cold and severe look (that looks very put on) but he's actually a big softie who likes to clean Sung Hoon's apartment whenever he's stressed. Then there's this fuzzy fur ball of a Sung Hoon who's just fluff bundled into a human. Nothing much can be said of Ha Ri and Yeong Soo but the food product development team is a delight (pun intended). Music delivers and after a while, the drama is watchable only for its actors.
It's not that ABP is bad. Even though it takes its women for granted, it gives them room to breathe. They make their own decisions, and they initiate the relationships when they are ready. There are no toxic narcissistic overbearing tropes to be found. It's just that ABP fails to utilise its characters, their quirks and a solid foundation of a popular and successful premise.
NOTE: Ratings may vary by the time the drama ends and if, like I'm hoping, the show redeems itself, this review may vary too.
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EDIT: Turns out I was rather wishful. The last two episodes were particularly over the top dramatic, as if no one knew how to end this story. I guess they didn't. The characters don't change and even until the end, remain good on their own, failing in their dynamics with other characters. The plot takes unnecessary turns that are illogical and are not given a proper closure. Min Woo and Yoo Ra remain consistent in how much of a train wreck they are, and their arcs remain meaningless. Tae Moo's past also meanders into a dead end.
There is some pointless last episode drama as well and we see some deviation in characters here- favourite grandpa unusually (but maybe not unexpectedly) turns into a typical mother-in-law and instead of seeing a rosy wedding (which in my opinion would have saved the drama's ending), there is just added frustration. He also never got to meet the owners of the chicken house, and he'd wished his granddaughter would come from a modest family like that in the first episode. *sigh*
Even though it puts a smile on our faces, ABP largely remains a wasted potential, and the lone bright spot remains the Tae Moo- Sung Hoon duo. It makes me want to ask- why are people still writing such shallow plots and why are people still watching them? Most importantly, why is it that people think visuals and kisses can salvage a story? (The high ratings despite everything will probably explain it).
ABP is lighthearted and doesn't take itself seriously at any point. Recommended only for those looking for some sweet mindless romance.
There is the usual hardworking middle class family of the female lead, her equally crazy and supportive best friend who, refreshingly, has a thing for the second male lead, the charismatic and rich hero who has a tragic past, a sweet and reserved SML who is his best friend and an eccentric grandfather who just wants to hold great grandchildren in his arms. So, the characters are ready, and the foundation is laid but when these are established, there is not much to take the story forward. ABP thus transcends genres in the sense that it jumps from comedy to romance to what is looking to be melo. The point of discontent here is that the story had (still has) potential but instead goes chasing after useless elements.
An unrequited crush who leads the heroine on, his on again-off again girlfriend who is existentially jealous of Shin Ha Ri and a perverted neighbour are plot devices of yesteryears, not 2022. Of course, the men save their women every time and the two women have nothing to talk about other than their suitors or love interests. When this first happened in episode 1, I decided to wait out and hope for some betterment, seeing that it all begins with a blind date, but nothing seems to have improved from then to now. While passing the Bechdel test is not indicative of how well a series does, it is tiring to see women whose entire lives revolve around men, and not themselves. That the original novel has a better reason for Ha Ri agreeing to the contract is just another fact to lament.
BUT the male characters are written well. Their traits are cute, lovable and new. A big plus to ABP's characterisation is their gentleness. How often do we find an old man addicted to dramas so much that he actually sets up alarms and gives a running commentary while watching them? I can totally see Ha Ri's mother and Tae Moo's grandpa hitting it off when they meet. Tae Moo, in turn, maybe an archaeopteryx who for whatever reason puts on a cold and severe look (that looks very put on) but he's actually a big softie who likes to clean Sung Hoon's apartment whenever he's stressed. Then there's this fuzzy fur ball of a Sung Hoon who's just fluff bundled into a human. Nothing much can be said of Ha Ri and Yeong Soo but the food product development team is a delight (pun intended). Music delivers and after a while, the drama is watchable only for its actors.
It's not that ABP is bad. Even though it takes its women for granted, it gives them room to breathe. They make their own decisions, and they initiate the relationships when they are ready. There are no toxic narcissistic overbearing tropes to be found. It's just that ABP fails to utilise its characters, their quirks and a solid foundation of a popular and successful premise.
NOTE: Ratings may vary by the time the drama ends and if, like I'm hoping, the show redeems itself, this review may vary too.
--------
EDIT: Turns out I was rather wishful. The last two episodes were particularly over the top dramatic, as if no one knew how to end this story. I guess they didn't. The characters don't change and even until the end, remain good on their own, failing in their dynamics with other characters. The plot takes unnecessary turns that are illogical and are not given a proper closure. Min Woo and Yoo Ra remain consistent in how much of a train wreck they are, and their arcs remain meaningless. Tae Moo's past also meanders into a dead end.
There is some pointless last episode drama as well and we see some deviation in characters here- favourite grandpa unusually (but maybe not unexpectedly) turns into a typical mother-in-law and instead of seeing a rosy wedding (which in my opinion would have saved the drama's ending), there is just added frustration. He also never got to meet the owners of the chicken house, and he'd wished his granddaughter would come from a modest family like that in the first episode. *sigh*
Even though it puts a smile on our faces, ABP largely remains a wasted potential, and the lone bright spot remains the Tae Moo- Sung Hoon duo. It makes me want to ask- why are people still writing such shallow plots and why are people still watching them? Most importantly, why is it that people think visuals and kisses can salvage a story? (The high ratings despite everything will probably explain it).
ABP is lighthearted and doesn't take itself seriously at any point. Recommended only for those looking for some sweet mindless romance.
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