Mertseger
This review may contain spoilers
This asodora has some unexpected twists in the last 25 episodes when the land lady, Tomo, reveals her Force power, the protagonist Mineko turns out to be a Tanuki robot from the far future (2017) and a group of the characters band together to execute a daring rescue mission.
Before that it's warm story taking place between 1964 and 1968 examining the migration of workers from rural provinces like Ibariki to urban centers like Tokyo. The spine of the plot is centered, lamentably, on an amnesia trope (a lame trope or the lamest trope?), and everything about one of the associated characters, Kanamoto Setsuko, makes no sense whatsoever. But that's about the sharpest criticism that can be leveled against this otherwise uniformly delightful morning drama.
The main character is charming enough, but the really great moments of the series fall to several of the tertiary characters who are still dealing with the consequences of WWII. The rapid changes of the 60s form the backdrop, and the Tokyo Olympics, Beatlemania, miniskirts and Twiggy all play a role in the lives of these characters.
Special mention also must be made to two of actresses, Sakuma Yui and Ito Sairi, who were in Transit Girls together a few years before. Sakuma's role is quite substantial as Mineko's best friend Tikiko who goes to Tokyo at the same time as Mineko and seeks to become an actress. Ito's role is much smaller but recurring, and the two do get a few scenes which had me as a fan of Transit Girls wishing for them to kiss (again).
As a whole, it's the usual high quality that one expects from an NHK asadora though personally I think Amachan deserves the higher rating between the two.
Before that it's warm story taking place between 1964 and 1968 examining the migration of workers from rural provinces like Ibariki to urban centers like Tokyo. The spine of the plot is centered, lamentably, on an amnesia trope (a lame trope or the lamest trope?), and everything about one of the associated characters, Kanamoto Setsuko, makes no sense whatsoever. But that's about the sharpest criticism that can be leveled against this otherwise uniformly delightful morning drama.
The main character is charming enough, but the really great moments of the series fall to several of the tertiary characters who are still dealing with the consequences of WWII. The rapid changes of the 60s form the backdrop, and the Tokyo Olympics, Beatlemania, miniskirts and Twiggy all play a role in the lives of these characters.
Special mention also must be made to two of actresses, Sakuma Yui and Ito Sairi, who were in Transit Girls together a few years before. Sakuma's role is quite substantial as Mineko's best friend Tikiko who goes to Tokyo at the same time as Mineko and seeks to become an actress. Ito's role is much smaller but recurring, and the two do get a few scenes which had me as a fan of Transit Girls wishing for them to kiss (again).
As a whole, it's the usual high quality that one expects from an NHK asadora though personally I think Amachan deserves the higher rating between the two.
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