54
188
11
The Butterfly
Tornado Alley
This review may contain spoilers
"When will you become an honest crook?"
Yes, Madam! starring Michelle Yeoh and Cynthia Rothrock opened the door for the girls with guns genre. When they were fighting on screen they were a sheer joy to watch. Sadly, as often happens in a movie starring a woman, the majority of scenes focused on the bumbling male thieves and the Big Bad, leaving the women almost relegated to supporting roles.
Two hapless hoods and their idiot forger friend get tangled up in triad boss James Tien's murderous methods for trying to retrieve microfilm a Scotland Yard detective had acquired of his illegal dealings. Dick Wei plays his vicious assassin who attempts to track down the damning evidence. Scotland Yard sends Cynthia to Hong Kong to join up with Michelle to investigate and discover who killed the British agent. The women are initially hostile with each other. Cynthia's methods are violent and she has a massive chip on her shoulder and hair-trigger temper compared to Michelle's calmer way of doing business and dealing with suspects. Before you can say Best Friends Forever, the two become battle buddies and it's on like Donkey Kong when they take on Hong Kong's worst.
Much of the film focuses on the bumbling crooks. Tsui Hark, Mang Hoi, and John Shum have their funny moments but they have more screen time and character development than the two leading ladies. James Tien and Dick Wei make for menacing enough, and in Tien's case, annoying enough criminals. Michelle Yeoh in her first starring role shone whenever she was given the chance. Cynthia Rothrock's fighting was much better than her acting but since that's when the women were together for the most part, it worked. As I've mentioned it would have given more dramatic depth to have the women be more than just fighting machines and learn more about them. Their characters were thinly drawn.
The script was uneven and the story in the middle of the film, felt repetitive and began to drag. How many times did we have to see Tsui Hark try to escape from bad guys in his rigged apartment? Or Hoi and Shum running afoul of baddies and getting beaten up and saved at the last minute? Some of the scenes were genuinely funny, but others began to wear thin.
What made this film memorable were the stunts. The opening scene's stunts were dynamic and breathtaking. The final fights at the Big Bad's mansion were brutally delicious. They were fast, creative, and dangerous. Michelle and Cynthia along with countless stuntmen hit the ground hard and some hit hard on architectural elements. Broken glass, broken furniture, broken bodies. The action took place with a bare minimum of wire work. This was all hard hitting, hard kicking, flipping, falling kung fu.
The women's clothes reflected the 1980's styles. They looked like a female version of Crockett and Tubbs from Miami Vice with their upturned colors and Flight of Seagulls' hairstyles. The music was bad 80's generic cop synth offerings. And the police brutality was showing its age as well. But all of this was to be expected from this era.
Given the title, Yes Madam, I would have liked to have seen this film through the eyes of Michelle Yeoh's character as she has to work with a strong willed foreigner and how they hunted down their suspects and developed a buddy camaraderie. Instead, most of the movie was shown through the criminal losers' perspective. As exciting as it was to watch the two women in action in those thrilling fights it didn't quite make up for them being largely window dressing in their own movie. And it didn't quite make up for the tedium of much of the movie when they weren't featured. I can appreciate the historical context of the film and how it gave women more interesting roles afterwards, but also see where they were afraid to completely leave it in their hands to carry the film. Michelle Yeoh is a favorite of mine and when given the chance she showed what star quality was, too bad they didn't let her shine more.
3/10/23
Two hapless hoods and their idiot forger friend get tangled up in triad boss James Tien's murderous methods for trying to retrieve microfilm a Scotland Yard detective had acquired of his illegal dealings. Dick Wei plays his vicious assassin who attempts to track down the damning evidence. Scotland Yard sends Cynthia to Hong Kong to join up with Michelle to investigate and discover who killed the British agent. The women are initially hostile with each other. Cynthia's methods are violent and she has a massive chip on her shoulder and hair-trigger temper compared to Michelle's calmer way of doing business and dealing with suspects. Before you can say Best Friends Forever, the two become battle buddies and it's on like Donkey Kong when they take on Hong Kong's worst.
Much of the film focuses on the bumbling crooks. Tsui Hark, Mang Hoi, and John Shum have their funny moments but they have more screen time and character development than the two leading ladies. James Tien and Dick Wei make for menacing enough, and in Tien's case, annoying enough criminals. Michelle Yeoh in her first starring role shone whenever she was given the chance. Cynthia Rothrock's fighting was much better than her acting but since that's when the women were together for the most part, it worked. As I've mentioned it would have given more dramatic depth to have the women be more than just fighting machines and learn more about them. Their characters were thinly drawn.
The script was uneven and the story in the middle of the film, felt repetitive and began to drag. How many times did we have to see Tsui Hark try to escape from bad guys in his rigged apartment? Or Hoi and Shum running afoul of baddies and getting beaten up and saved at the last minute? Some of the scenes were genuinely funny, but others began to wear thin.
What made this film memorable were the stunts. The opening scene's stunts were dynamic and breathtaking. The final fights at the Big Bad's mansion were brutally delicious. They were fast, creative, and dangerous. Michelle and Cynthia along with countless stuntmen hit the ground hard and some hit hard on architectural elements. Broken glass, broken furniture, broken bodies. The action took place with a bare minimum of wire work. This was all hard hitting, hard kicking, flipping, falling kung fu.
The women's clothes reflected the 1980's styles. They looked like a female version of Crockett and Tubbs from Miami Vice with their upturned colors and Flight of Seagulls' hairstyles. The music was bad 80's generic cop synth offerings. And the police brutality was showing its age as well. But all of this was to be expected from this era.
Given the title, Yes Madam, I would have liked to have seen this film through the eyes of Michelle Yeoh's character as she has to work with a strong willed foreigner and how they hunted down their suspects and developed a buddy camaraderie. Instead, most of the movie was shown through the criminal losers' perspective. As exciting as it was to watch the two women in action in those thrilling fights it didn't quite make up for them being largely window dressing in their own movie. And it didn't quite make up for the tedium of much of the movie when they weren't featured. I can appreciate the historical context of the film and how it gave women more interesting roles afterwards, but also see where they were afraid to completely leave it in their hands to carry the film. Michelle Yeoh is a favorite of mine and when given the chance she showed what star quality was, too bad they didn't let her shine more.
3/10/23
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