22
22
2
Zii3
This review may contain spoilers
Weaknesses Kept Pulling Me Out Of Immersion.
Slow yet mentally intriguing. I really wanted to like this but the frusterating and unbelievable aspects kept accumulating and pulling me out of being immersed in the story. Mentally I was really intrigued by the premise and curious about what would happen so I kept watching. At 7 episodes in, however, it was not really engaging my emotions.
Update: I completed the series on 11/19/23 and episodes 8-11 were the best to me. The story was more focused and things did start to get emotional, mainly due to Bright's acting as Yai. There's also a little less stupidity by characters overall. I did love the change in family dynamics with the mother, that was one thing that was written well. The intimate scenes were full of love and emotions and beautifully shot. I appreciated that the eroticism of undressing each other was frequently included.
Ep 12 was rushed, choppy, not explained well, and thus not very satisfying. The set up for a second season was interesting though and I will probably give it a try out of curiosity if it gets made.
The director and screenwriters have worked together before and their weaknesses are consistent throughout their work. This series is their strongest work to date though. Maybe it helped that they had a whole book as source material to work from.
There's a lot of telling vs showing. It's like we get the highlights but the stuff in-between is skipped over so sense of time is really muddled (and not in an intentional way). Characters will say things like 'we've been together a while now' or ''you've been avoiding me for a while' or 'since this time' and we see the most recent example of being avoided but not the multiple times leading up to the current conversation. Because of this, the emotions of the characters feel rather shallow and mercurial because we don't get to experience the building of their emotions in-step with them.
We see Yai's process of falling for Jom over multiple episodes, but not the other way around. Yes, Jom has to go through some things/emotions before he can fall for someone new, but Yai is obviously drawn to Jom like a magnet and that doesn't feel reciprocated.
At the same time, the way the story is directed and shot is super slow. I would have dropped this series if I didn't have the ability to watch at 1.5 to 2 x the speed. And even then I still skipped through some bits. So the script could have fit in more examples of the main characters interacting and growing their connection with each other.
There's also a huge lack of self-preservation instincts in an era that was even less accepting of queer relationships, which is unbelievable enough to pull me out of the fantasy they are spinning. Especially since they are depicting social sentiments in a serious manner and in-line with an older era. So to have a 20 year old young master (Yai), with a very strict and traditional father, and frequently in the spotlight, who is not at all paranoid about showing affection out in the open or in broad daylight (but will jump apart and act nervous when caught), is ridiculous to me.
GENERAL SPOILERS below.
Example, in a later episode Yai's dad confronts him about his relationship with Jom and tells him his man has been watching them. Yai is alarmed and nervous and says "we never do anything explicit in public". Yet, even knowing the above, the very next day he has his arms half around Jom & is holding his hands out in the porch on the river in broad daylight when, gasp, someone "unexpectedly" comes upon them. JUST like someone did before at that exact spot. It's so reckless it's just dumb and obviously contrived by the writers. It makes the characters seem way less believable AND of low IQ to boot! *Facepalm.
Other things that keep pulling me out of the story:
Jom is acted pretty woodenly and he comes across as a simpleton the way he's written, directed, and acted (seriously, the amount of times he's asked a question and takes 10 to 40 seconds to answer while there's not much going on in his face or behind his eyes is frustrating).
Yai is supposed to be 20 but isn't written or acted like he's that young until a much later episode when young naivete and determination bubble up.
Robert is reportedly able to be charming because he's won over Yai's father, but all we and everyone else sees is a very obviously bad man, which makes that important plot point unbelievable. (And it's a missed opportunity to make in interesting two-faced, charismatic but dangerous antagonist.)
Update: I completed the series on 11/19/23 and episodes 8-11 were the best to me. The story was more focused and things did start to get emotional, mainly due to Bright's acting as Yai. There's also a little less stupidity by characters overall. I did love the change in family dynamics with the mother, that was one thing that was written well. The intimate scenes were full of love and emotions and beautifully shot. I appreciated that the eroticism of undressing each other was frequently included.
Ep 12 was rushed, choppy, not explained well, and thus not very satisfying. The set up for a second season was interesting though and I will probably give it a try out of curiosity if it gets made.
The director and screenwriters have worked together before and their weaknesses are consistent throughout their work. This series is their strongest work to date though. Maybe it helped that they had a whole book as source material to work from.
There's a lot of telling vs showing. It's like we get the highlights but the stuff in-between is skipped over so sense of time is really muddled (and not in an intentional way). Characters will say things like 'we've been together a while now' or ''you've been avoiding me for a while' or 'since this time' and we see the most recent example of being avoided but not the multiple times leading up to the current conversation. Because of this, the emotions of the characters feel rather shallow and mercurial because we don't get to experience the building of their emotions in-step with them.
We see Yai's process of falling for Jom over multiple episodes, but not the other way around. Yes, Jom has to go through some things/emotions before he can fall for someone new, but Yai is obviously drawn to Jom like a magnet and that doesn't feel reciprocated.
At the same time, the way the story is directed and shot is super slow. I would have dropped this series if I didn't have the ability to watch at 1.5 to 2 x the speed. And even then I still skipped through some bits. So the script could have fit in more examples of the main characters interacting and growing their connection with each other.
There's also a huge lack of self-preservation instincts in an era that was even less accepting of queer relationships, which is unbelievable enough to pull me out of the fantasy they are spinning. Especially since they are depicting social sentiments in a serious manner and in-line with an older era. So to have a 20 year old young master (Yai), with a very strict and traditional father, and frequently in the spotlight, who is not at all paranoid about showing affection out in the open or in broad daylight (but will jump apart and act nervous when caught), is ridiculous to me.
GENERAL SPOILERS below.
Example, in a later episode Yai's dad confronts him about his relationship with Jom and tells him his man has been watching them. Yai is alarmed and nervous and says "we never do anything explicit in public". Yet, even knowing the above, the very next day he has his arms half around Jom & is holding his hands out in the porch on the river in broad daylight when, gasp, someone "unexpectedly" comes upon them. JUST like someone did before at that exact spot. It's so reckless it's just dumb and obviously contrived by the writers. It makes the characters seem way less believable AND of low IQ to boot! *Facepalm.
Other things that keep pulling me out of the story:
Jom is acted pretty woodenly and he comes across as a simpleton the way he's written, directed, and acted (seriously, the amount of times he's asked a question and takes 10 to 40 seconds to answer while there's not much going on in his face or behind his eyes is frustrating).
Yai is supposed to be 20 but isn't written or acted like he's that young until a much later episode when young naivete and determination bubble up.
Robert is reportedly able to be charming because he's won over Yai's father, but all we and everyone else sees is a very obviously bad man, which makes that important plot point unbelievable. (And it's a missed opportunity to make in interesting two-faced, charismatic but dangerous antagonist.)
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