Queen of Tears, like many TVN series, suffers from being overly extended to 16 episodes. The script often lacks enough substance, leading to repetitive story arcs. With long episode durations, numerous side plots are added just to fill time.
Typically, I watch dramas like this for the main characters' dynamics. However, despite any appealing side stories, they tend to become excessively tedious over time. While I used to push through such moments 5-10 years ago, now I find myself fast-forwarding through them. Yet, in this drama, the standout feature is the superior casting and the chemistry among the actors, which surpasses the shortcomings of the script. The lead actors excel in their roles, making the series compelling to watch. Kim Ji-Won shines in aggressive, affluent, and glamorous characters, while Kim Soo Hyun effortlessly embodies humble and emotive roles.
One downside of the series is the character portrayed by Park Sung-hoon, whose portrayal was so off-putting that I felt the urge to punch the screen in every scene. Such one-dimensional characters, written solely to provoke viewer frustration, fail to engage me and come across as a version of "rage bait" tailored for tv dramas.
Nevertheless, despite its flaws, I found Queen of Tears enjoyable, evoking a reminiscent feel of dramas from 2015.
Typically, I watch dramas like this for the main characters' dynamics. However, despite any appealing side stories, they tend to become excessively tedious over time. While I used to push through such moments 5-10 years ago, now I find myself fast-forwarding through them. Yet, in this drama, the standout feature is the superior casting and the chemistry among the actors, which surpasses the shortcomings of the script. The lead actors excel in their roles, making the series compelling to watch. Kim Ji-Won shines in aggressive, affluent, and glamorous characters, while Kim Soo Hyun effortlessly embodies humble and emotive roles.
One downside of the series is the character portrayed by Park Sung-hoon, whose portrayal was so off-putting that I felt the urge to punch the screen in every scene. Such one-dimensional characters, written solely to provoke viewer frustration, fail to engage me and come across as a version of "rage bait" tailored for tv dramas.
Nevertheless, despite its flaws, I found Queen of Tears enjoyable, evoking a reminiscent feel of dramas from 2015.
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