Oh Mighty Drama gods, give me strength

This Show starts with a bang. We have murders, chases, fights and the ubiquitous death-defying escape. It is certainly a rollercoaster ride. If the first couple of episodes didn’t hook you then you are watching the wrong show.

We are introduced to intrigues both at the imperial court as well as on a personal level. The interplay between the leads is certainly a highlight. There is obvious attraction between them, and they spend the bulk of the Show exploring their feelings and dancing around each other, searching for clarity.

The problem here is that they really stick to the Joseon rules. Most pairing of the upper class is just a power game between dynastic families. Courting is a minefield and love has little to do with it, unless you count forbidden love which is theme du jour of so many historical dramas. This means the ML can only long for the FL but he is not allowed to express his true feelings. On the other hand, even if the FL confessed her love for him, she would need a miracle to see it to fruition. This is an impasse that dragged on for too long in this show. It might be historically “accurate” (heck, that didn’t stop other dramas from turning up the skinship dial) but as viewers, we are left dangling and more than a little frustrated. We waited and waited but there is little reward for our patience. Consider we didn’t get any fan service until the literal dying minute of the Show. It is very poor return for our dedication.

To be honest, the Show is too slow. I can accept the need to build up the mystery and allow time for all the clues to be found and the puzzle pieces to fall into place. The issue is that we are also watching from the sideline, and we can see the bigger picture. So, while our protagonists are expounding their nascent theories and being spoon fed more clues, we are way ahead of them. Maybe we don’t have the smallest details but the overall plotline is fairly obvious to us well before the final confrontation.

This is not helped by the fact that the show is 20 episodes long instead of the usual 16. Honestly, the Show would have been better off being only 16 eps long. There are easily 4 episodes worth of filler material that can be cut with minimal impact to the narrative.

In terms of acting, the ML carries the Show on his broad shoulders. His character has more depth and he certainly has a more challenging role. The FL is good but she spent too long cross-dressed as an eunuch. While she is reasonably convincing, it does makes it hard for us to adjust when she resumes her life as a lady. Your mind yo-yo between the image of the eunnch and her normal female form.

Unfortunately, most of the antagonists are straight out of central casting. Evil officials on one side while the good ‘uns are on the other. Their roles are about as predictable as you'd expect. We do get some twist regarding a couple of key characters, but the longer runtime dilutes the impact of the revelations as we already guess their hidden identities before the official reveal.

So far so sageuk, you might say but the sting is literally in the tail. The ending of this Show is definitely the weaker link. Good guys are rewarded, and the bad ones get their just deserts. All the loose threads are tied up, so, job done, right? The complication lies in the actual delivery. It feels awkward and uneven. We got there at the end but it doesn’t feel right. I get the impression that the writer-nim struggled to make the ending work within the allotted time and resources. The ideas are there but something is lost in translation.

Other than the less than stellar ending, there is one other thing that has been bugging me for some time. Byeokcheon is the key to the main storyline. An army was dispatch from the capitol to suppress a rebellion there which kickstarts the overarching plot. However, it seems to change from a district to a town to (in the end) nothing more than a village. The show even has the people of Byeokcheon gather for a “town” meeting at one stage and they all fit inside one simple room. The scale feels wrong and inconsistent. Maybe I fail at ancient Joseon geography, but the Show’s own interpretation also seems to be somewhat rubbery.

In the end, it is watchable and reasonably entertaining. It could and should have been better with a tighter script and a shorter run. If you are a fan of the leads then it is a must watch and you would be well satisfied. However, there is not a lot there to warrant a rewatch for anyone else. Peace out.

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A video essay or voyeurism?

This show position itself as a romance drama with a strong “what-if” element. It is build upon the fantasy that a person can change gender spontaneously. Not via a sex change operation but an instantaneous and complete body reconfiguration including a different face.

This allows the show to post all kinds of hypothetical questions about discrimination, friendship, love and marriage of the same sex due to this sudden gender realignment. This is a double-edged sword as the fantastical and abrupt nature lessen some of its impact.

The Show then proceeded to put a number of protagonists through the spin cycle and force them to confront their changed circumstances. The most obvious is what will you do if your wife becomes a man, or your best mate is now an attractive woman. The bulk of the show is basically an exploration of these questions and its ramifications.

In many cases, this is what the LGBTQ+ community is confronted with on a daily basis so while the Show is set up to address a hypothetical gender change, it is really more about the LGBTQ+ community’s interaction within itself and with the larger society as a whole.

Even though the Show is not overly preachy, it can feel like the questions are asked just so that we can hear the answers from the coalface. While the informative aspect is laudable, there are many conversations and it can be a bit repetitive with the views seesawing back and fore.

It is no surprise that our protagonists all found love or at least contentment in the end. I sensed that the Show does not want to push any views too hard so for each success, we are presented with failures. This means this is largely a thought experiment. In the end, it comes down to the timeless notion of True Love Will Conquer All . . . most of the time . . . maybe.

This brings us to the voyeuristic aspect of the show. Yes, there are bed scenes involving same sex as well as straight couples. It does provide some titillation especially when it involved pairings that might be considered taboo in some societies. It is not exploitative nor egregious. You have to form your own opinion whether this is integral to the storytelling.

The Show is generally subdued in tone and the acting is solid. The fish out of water aspect does bring about some lighter moments. OST is fine.

The show is watchable but a slow burn. The ending is satisfying if predictable. Whether you find this show worth watching will depend on your expectations and reason for watching in the first place. It is a one time watch for me.
Peace out.

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The bang became a whimper

This show started as promising as you'd expect. Decent actors, interesting plot premises and genre hopping opportunities.

The Show has potential, to be sure. Different ideas worked for a few episodes and then fade away. Just when you thought this is getting interesting, it’d change tack. Case in point, the idea that magic acts were done by ghosts manipulating the props was cute and clever. That soon changed to talking about magic tricks rather than doing the deed. Similarly, several crimes were solved by communicating directly with the recently deceased. That is not new but the potential is there to create some engaging subplots and it did work for a while but that too petered out. The idea that the ghosts have their own set of rules was intriguing but towards the end, the ghost just behave like normal people. Probably the most disappointing aspect is the overarching Big Evil Spirit revenge plot which was so diminished by the end that it was more like little evil.

The Show also suffers from tonal shifts. I get that it is a rom-com at heart but it also tried to include fantasy, sageuk, crime/corruption and other social issues. A lot of the time, the impact of these themes is diminished because the show would suddenly switch to slapstick comedy or a sweet romantic scene just after a poignant moment. It does make you wonder what’s the point of the transition.

Speaking of romantic scenes, the leads do have decent chemistry but the Show swings from heavy push-pull to aegyo overload in record speed. You want it to happen but you also feel that it was not very natural. The 2OTP was a done deal and they are cute together.

The last couple of episodes were largely fan service. Most threads were closed with pink bows. I like the way they provided the ghosts closure and reward them justly. It was as sweet an ending as you could ask for but it got messy towards the end and added more plot holes. Some scenes are shoehorned in with scant logic. While some closures are heartfelt, others are farcical. The final demise of the Big Evil Spirit was a cop out.

To be fair, it is a decent, enjoyable show but it could have been better. IMHO, it felt like the writer has good ideas and they tried some out but whether it was budget constraint or difficulties in tying the various threads together, the show decided to play it safe, watered it down and fall back onto the standard rom-com tropes in the end. Am I being harsh on this Show? In a sense, yes, but not because I hated the Show. Quite to the contrary, I really liked the Show and the beginning hooked me straight away but I can also see where and how it changed over the course of the run and it wasn't for the better. The Show could have ended with a bang but, in the end, it was a sugar coated whimper.

It is not a rewatch for me. I’ll let those ghosts RIP.

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Please don’t Disneyfy this beloved franchise, Mr Netflix

Edit: After watching 10 eps, I've revised this review (probably) for the final time. Enjoy!

I was looking forward to this show with anticipation. The original series was one of my favourites.

I knew it won’t be the same as the original, so I am willing to cut it some slack. The start of the show is certainly different, but the young actress was so cute and earnest I'm willing to jump onboard even though it is questionable if the way she uses her powers is canon, but I’ll give it a hall pass for now.

I wished this is the only issue. There are many more. In fact, the only thing consistent with this show is how inconsistent it is. In the original series, the rule around the use and abuse of their special power is well established. However, not only is the FL using her power without a care. Her mother and grandmother also abuse it without a second thought. How can this be?

On top of that, they should be internet sensations considering how blatant they are, but they ain't. It is as if everything can be hushed up with the click of their manicured fingers. However, the narrative contradicts itself repeatedly.

While the new FL is refreshing in her straightforwardness at the start of the show, after a few episodes, her portrayal is borderline grating. She doesn’t so much deliver her lines but fire them out like a gatling gun. She also moves with an exaggerated gangliness. Why? Her one-note performance is wearing. It is one thing to call her naïve but time and again, the excuse is that she is from Mongolia. Geez, I hope they are not streaming this in Ulaanbaatar.

The other female leads are not much better. The mum swings between playing Batwoman and Crazy Rich Woman. She throws money around like confetti. Come to think of it, the whole plotline involving the grandma is superfluous. It just highlights how pathetic most of the male characters are but she brought nothing new to the table. She is too cringey to be an effective comedic relief.

There are too many plot holes to list but it pretty much comes down to whatever needs to happen, happens. It feels like narrative logic and good sense have both packed up and ran screaming from da hood. The writer-nim doubles down on this from ep.7 onwards. It is now in the "see no evil, hear no evil" territory.

It also feels hollow when the show tries to tackle serious topics. The drug abuse problem is marginalised because most of the victims are faceless canon fodders. Until it hits too close to home then everything pales into insignificance. Ditto, the fat shaming of the brother is gratuitous while ignoring the root cause of his condition.

By the half way mark, it feels like plots are products of brainstorming sessions after one too many soju bombs. There is so much going on. Subplots darts off in every direction, most are inconsequential but distract us from the A-plot. There is actually a very insightful scene when the assistant to Hwang Geum Joo asks if one of the antagonist will see through her deception. Her reply was, "They are stupider than you think." Is she talking about me?

It is telling that the only person I'm interested in after watching 10 eps is the main antagonist. It is never a good look when the viewer starts paying more attention to the bad guy(s). From my point of view, the 3 FL's are unrelatable, and to a varying degree, unlikeable. The young FL leaps out of tall buildings, runs faster than a speeding car and drinks poison for LOL's. Yet she skins her knees by tripping over her own feet. Why? Because the ML is there to fuss over her. This is not dumbing down, this is frontal lobotomy.

This brings me to the most poignant moment of this show. In ep.3, we have the original OTP appearing in a cameo. OMG, I could cry. Every interaction, gestures, banter reminded me how good was the original. It also dismisses any claims that this show is a reboot with a clean slate.

I watch with dismay what Disney is doing to Star Wars and the MCU. I know Netflix has jumped on the k-drama bandwagon in a big way. I can see this show being turned into a gaudy super hero franchise. Everything is loud and cartoon-y yet there is little substance behind the garish facade. We don't need more of this.

I'm not saying the show is totally unwatchable. There are the odd cute or funny moments. The plots will test your credulity though. If you are hoping that this spin-off will recreate the charm and engagement of the original then you will be sorely disappointed.

I hung on with grim determination for as long as I can, but it is getting too tough. Maybe I'll speed watch the last few eps for the sake of completeness later. Peace Out.

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Consumer Warning: Overbearing melodrama ahead!

On paper, this show should be a top-notch production. The stellar cast, the high production value and a nice OST do present a strong case.

In terms of the central plot, it is about as transparent as it can be. It literally gave the key “twist” to us at the end of episode 1. We know with certainty what is the end game. It then spends the bulk of the Show plotting the meandering path towards that exit. It was not necessarily a difficult path, but it was very weighty and melodramatic. It does not hold back on any opportunity to tug at our heartstrings.

While the synopsis of the show hinted at an ensemble drama with a female concentric focus, it is only partly true. Yes, the three main leads are all females about to turn 40 but two are the true leads and they are Son Ye Jin (as Cha Mi Jo) and Jeon Mi Do (as Joeng Chan Young) while the third FL played by Kim Ji Hyun (as Jang Joo Hee) has a lesser role. All the male leads are firmly in support and powered the romantic storylines. Their respective families played in the next tier and move the plot along as required.

It is true that the close friendship/sisterhood of the 3 leads formed the central pillar of the story, the plot around Chan Young is what drives the bulk of plot developments. There is certainly no shortage of subplots but the majority of them were treated superficially. Not that the subject matter is lightweight (abandonment, prejudice, deceptions and more) but they are just shiny fruits hanging off the main trunk. Some were given more attention and used to stir our emotions, but all faded away eventually in the face of the all-consuming main event. To be fair, all these threads were not forgotten, the writer-nim did gave them resolutions even if it is just a quick scene or a snippet of commentary but some felt perfunctory. It allowed the threads to be closed but it doesn’t really give them their dues. IMHO, this is largely because the story is written to appeal and engage with the target audience. It is not about pushing agendas that might distract from the central theme.

There is no doubt the Show is watchable. There are swoon worthy moments and occasional rays of sunshine but I can’t help but cringe at the overly melodramatic scenes and the endless rounds of the female leads drinking, shopping, bickering and basically creating “moments”. Some of those screen time can be better used to explore some subplots that were crying for some love and attention.

Now the elephant in the room, I do pity Joo Hee. Her character is poorly developed and weak by design, suffered a lot, aimed low and achieved little in life. Her love line is contrived. She is supposed to be in a serious relationship (her own words) but there are hardly any outward signs. Just a few hints and no skinship.

You can’t really say the Show dropped the ball. Quite the opposite! The Show has a laser focus on the endgame. Nothing is allowed to get in the way of the melodrama. Every morsel of happiness is bittersweet. Every special moment is handcrafted to heighten its impact. Lingering contemplative shots and close-ups of the protagonists (often in tears) reinforce the despondency.

I have no doubt the Show will be popular but it is also polarising. Its fans will love it and wish for more. The rest of us can only lament the lost opportunities to push back some boundaries or explore relevant issues. If you start watching the show thinking that it is a rom-com then you might felt a bit cheated as the show quickly morphed into its final form. Ultimately, the Show wants to preach to the converted and it did it with consummate skill. Caveat emptor, my friends.

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A grand romance demands a grand sacrifice

I was a little speechless after binging this show over 3 days. Not many show affected me this way but it did and I was surprised.
On paper it is a low profile web drama of 24 episodes running about 30mins each. Short by c-drama standard. It started off as a decent rom-com with a dose of fantasy. It centred around characters in a story written by the FL coming to life on her 24th birthday and interacting with the FL and her friends. Lots of zany shenanigans as those fantasy characters tried to adjust to modern life (they were from ancient Babylon). Similar storyline has been used before but the show did a good job drawing us in and keeping our interests. The casting was very good. You don't have to suspend your disbelieve. They hired a number of good actors with mixed heritage and one main character even spoke Akkadian during the entire show and that is respect to the source material.

Around mid show, the tone changed and it became a bit of a thriller with a touch of the supernatural. It was a rollercoaster ride from that point on. The show swung back to romance then back to thriller plus historical intrigue and some light-hearted moments and back again. Yes, it is a bit manic and hectic when you look at it from a distance but if you are still watching by the 2/3 point, you are shipping the CP's and the story would have hooked you.

Speaking of romance, they weren't sugar coated fluff but love that transcended time and the great divide. I have to give the writer full credit for the teleport to Mount Wu running gag. It is next level! The last few episodes are heavy with the feels and the pace finally slowed. A sense of melancholy and reflection coloured the later scenes.

The writing is no doubt a key element of this drama. It is good, surprisingly good for a short drama. It dashed around both time and space but the core promise was always solid. Layers of revelations are peeled away. Yes, it can look messy but the ground work for later development was laid well in advance and it is more about gathering all the threads and pulling at the right time to turn chaos into cohesion.

The ending was bittersweet and not your typical 11th hour miracle. I accept and appreciate that because it would have betrayed the whole narrative and destroy any pretence of logic (but I was torn, damnit). We did get some kind of closure for the protagonists. We can derive some comfort in knowing that they were not forgotten and they are learning to live with the hands they were dealt. There is hope after all.

Production value is good. I heard that it was a labour of love with years of post production. They actually filmed on location in Morocco and Paris which is rare even for big budget dramas.

I'll admit that the transition is not always smooth, there are the odd plot holes and some scenes towards the end were contrived and heavy handed (aka burying the mask) but I'll accept the flaws in exchange for the complete package.
OST was good. I still can't get the opening bars of the theme song out of my head.

This show is not for everyone. The whiplash change in story telling and layered plot might put off or confuse some. If you are expecting a fluffy rom-com or an action thriller then watch no further.

It is a wild ride to be sure so test the water with your toes. Be warned, the water is deep and quite murky. :)

>>>>>P.S. There is a bonus ep.25. It is not an alternate ending but it extended the show beyond the end of ep.24. It provide some extra fan service scenes so if you are happy with the original bittersweet ending then please ignore this episode. Otherwise, it is a must watch for the fans of this show. :D The link to a Chinese only video is the comments section in MDL for this show. Thank you to cyn lynn for the heads-up. :)

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I won the sucker bet

Based on the past performances of the two leads, I was willing to offer odds that the show will be good. I wish I finish the Show before I mortgage my house.

Still, on paper, I should be on a safe bet. It seems to be a standard BFF to lover trope with good looking leads and nice chemistry. It is a win-win formula for sure.

The problem is that the main plot went nowhere fast. The FL was lost in a sea of self-doubt and the ML is an island with a sign that reads “No Trespassers”. This is after all the flashbacks, almost kiss and daydreams. Even at this point, the plot is still viable, but it needs a firm hand on the tiller. What we got instead is a show within a show, a reality dating show, no less.

Now I’m starting to worry. If the dating show is framed as a satire or spoof, then it could be a lot of fun and there will be opportunities for the leads to interact and break down the barrier. However, for that to work, the new characters in the dating show have to be larger than life to kickstart the plot. What we got was a half-hearted attempt at an exposé which swings between banality and earnest. We are greeted by a mix of new secondary characters that are mostly cliché roles designed to fit right into their designated subplots. This meanders around for too many episodes before the Show finally calls it quits. It is frustrating that most of the introduced subplots lead nowhere and largely faded away as soon as the dating show wraps. The token antagonist stirred up some angst but escaped scot free. The Show doesn’t really need an ensemble cast. It is largely a distraction and suck the oxygen from the main OTP plot.

It is not all bad news though. The 2FL (Kang Chae Ri) is a revelation. Her character is thorny throughout the show and is borderline psychotic, but she is so much more alive than the FL. It is hard to like her character, but she is a scene stealer. This is almost the opposite of the FL. While the FL has great visuals, and her acting is solid as ever, her character is a wet mop. She spends the bulk of the Show running away from her feelings and tries to melt into the background.

Acting is decent on the whole, but the writing is a mess. By the time the leads are a couple, we are hanging on for dear life. The HEA ending and some nice developments of the side couples is small compensation for an overall disappointing show.
OST is serviceable but there is little reason for a rewatch.

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Mostly harmless college rom-com

It is actually hard to write a review for this show, not because it is particular good nor bad but it is just uninspired. An apt description would be mostly harmless. ;)
There are cute moments, a bit of skinship, the odd tears but basically, it is a lazy wet weekend type of binge. You can cook lunch while the show goes on in the background and you won't miss much.
The OTP is ok, cute enough to carry the show for the most part. Cold ML, fun FL, tick! There are even a 2OTP and a 3OTP but they are all obvious pairings. Lots of tropes are used to no great effect (nor ill effects for that matter). I don't know if the writer is inexperienced or lazy or under time pressure but there is almost no depth to the story. Everything is telegraphed and/or predictable. If someone sneezes then someone will be taking care of the sick one and that advanced their relationship to the next level, etc. A case in point, they threw in the cliché separation of the OTP towards the end of the show. Normally, if I was fully invested in the OTP/plot, I would be annoyed and rolled my eyes. However, in this case, I just sat through it and didn't really mind. It wasn't badly written and it moved the story along towards the final conclusion but it was meh for me.
In the end, the show was like a nicely packaged, clearly labelled meal with cooking instructions. ;) I finished it and "enjoyed" it in a low key, easy-peasy kind of way. Your mileage will differ.

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It’s not ok to be just ok

I'm just going to say it up front. Dear Hyeri is not good. Watchable but it could be so much better. It starts well but the middle was muddled, and the ending was sweet but uninspired. It is not quite bait and switch but at times, it comes close.

Let's take a step back. Mental health as the main focus of a k-dramas is rare. There are several good examples but it is mostly used as a plot device to provide the pro/antagonist with an excuse.

In this case, our FL's Dissociative Identity Disorder (DID) was front and centre and forms a very compelling narrative. It allows Shin Hye-sun to showcase her acting abilities. While the first few episodes were, to be honest, confusing and counterintuitive, it is engaging and draws us into a troubled and fascinating world.

The odd thing is that once the FL addresses her condition, the show begins to falter. In part, this is due to the focus shifting from the FL towards the 2 male leads. Don’t get me wrong. Both actors are handsome, and the older ML has the acting credential. The problem lies with the script. Both characters are flawed, especially the 1ML. He dated the FL for 8 years and then dumped her 4 years ago. The excuse was vague and unsubstantiated. He loves the FL and yet hurt her deeply and is a key reason why she developed DID. He is totally clueless about her feelings. It makes him looks like a self centred tool.

In the mean time, the 2ML fells in love with the split personality of the FL. That is all well and good but how he behaves after the FL came out with the DID diagnosis is harder to accept. Both ML’s have their redemption arc but it felt contrived and self serving.

In fact, the script completely changed its tone at around the 2/3 mark. Effectively, we have the first 1/3 being very focused on the mental state of the FL. The second 1/3 has some kind of self-discovery plus flash backs to the start of several key events which path the way to the here and now. The last 1/3 seems to belong to a different show. Eh?

Yes, the revelations and expositions along the way did clear up some of the misunderstanding, but it also highlights how bad the 1ML was. Yet, as soon as they are back together (literally within 1 scene), everything was forgiven and forgotten which I find jarring. They behave like teenagers in love from then on. The show inserted more flashbacks to their happier times and it only reinforced how much the FL loves the ML and how heartless/clueless he was.

Even now, I don’t fully understand his rationale for the break-up. We are told that he doesn’t want to hurt the FL and decides to carry the burden all by himself. Is he talking about his found family? That is BS because the dysfunctional family we were shown doesn’t match up with the present day one. Since the breakup, the horrible grannies become loveable eccentrics. In fact, the FL handled them with ease and they welcomed her into their fold with nary a complain. So, what is this burden the ML is talking about? He also said that he will never marry but he proposed. What gives? This is a gap of 4 years, not 40.

If you watch the last 2 eps separately, it is a very sweet and swoon-y rom-com but when you combine it with the rest, it becomes a confusing mess. This series has potential to be original and groundbreaking but took the easy path in the end.

I suppose the writer-nim wanted to end the show with a conventional HEA ending, but it made the earlier plot largely superfluous. Thought provoking ideas about mental health, love and lost are pushed aside by the stampede of unicorns or reduced to greeting card trite in the end.

It would have been a brave choice to allow the DID plot to run its course. The ending might be unpredictable but I'd take that over the pedestrian and overly sweet one we got. The only other show in recent memory that has a similar course change was Love in Contract with PMY. In that series, the change saved the show. I’m not so sure this time around.

Finally, while the production value is good and the OST decent, the support cast is an odd mix. There are many good-looking actors involved but most of their roles are either shallow, weird and/or unlikeable. I honestly think that one or two of them needs psychiatric help more than the FL. Peace.

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Unexpectedly bland

My expectation of this series is fairly low after reading the synopsis, but I didn’t expect it to be so samey and boring.

The premise of the show is the proposed marriage alliance between the princess of a smaller kingdom to the prince of an aggressive neighbouring state. Of course, there is the usual mistrust and misunderstanding. The enemy-to-lover tropey is front and centre.

There is nothing new with this set up. It has been done many times before. The problem is compounded by the cast lacking depth/skill and the script being too tropey to give the show a boost.

You soon realise the script brought little new to the table. All the usual tropes are lined up like little ducklings. It is serviceable but hardly engaging. As expected, the romance of the leads is the primary focus. Other than the usual push-pull and misunderstandings, there is not a lot to write home about. There is also an inherent problem with their characterisation. The show can do with stronger individual traits but they mostly play with a straight bat.

The typical palace intrigue and petty second leads provide the bulk of the angst. It is mostly run-of-the-mill power plays from rival princelings and their scheming wives. Similarly, the second leads are only there because the playbook said so. Our leads have nothing to fear from those quarters.

There is a 2CP but their progress is initially fraught. I know this sounds odd but there is more skinship than I expected but they are fairly wooden. There is a bit of fan service towards the end. However, the ending is oddly untidy and feels rushed.

In terms of acting, the FL did ok. Her role of a sassy princess offers few challenges. The ML mastered the nonchalant stance and the cheeky smile but he is not very convincing as a king-in-waiting.

On the other side of the ledger, the production quality is acceptable. This is hardly surprising as production companies can churn out costume dramas with ease these days. It is practically an industry. The flip side is a tedious sameness unless the production is S class. Sadly, this one sits firmly in the middle of the pack. Not only are the costumes and sets generic in look and feel, the distinction between the two kingdoms is minimal. They’d call each other barbarians but, in most aspects, they are almost identical aesthetically.

In the end, there is little to recommend this show. It is inoffensive and mildly entertaining. It is hardly a must-see unless you are a fan of the leads. It is a classic filler and I'm thankful that it is 24 and not 40 eps.

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Perfectly sweet, perfectly inoffensive. Totally . . . fine

To hate this show would be like kicking a puppy. To like it would take no effort but that’s a low hanging fruit. If I was new to drama watching then I'd scored it higher and posted a page full of ❤️ but I'm too jaded and grumpy so I ended up writing a review instead. ;)

This show reminds me of several other dramas in the same genre but with the angst dialled down and the sugar level hitting WHO daily dosage level. Is that a bad thing? For some, this is their sweet spot. However, it really does nothing for the genre. To be brutally honest, it is samey and forgettable.

The writers seem to go out of their way to minimise the impact of any angsty tropes. If there was a chance of misunderstanding, then the other party would just happen to walk past to overhear the relevant conversation. If there was a hint of danger, then someone would happen to be in the vicinity just in time to defuse the situation. It is nice to be harmless but it can also be a path to extinction.

In terms of acting, the ML is playing the same nice guy which I thought was perfect in Perfect and Casual (2021). I suppose it is better to be typecasted as Mr Nice Guy than a serial killer. He is totally besotted with the FL for years and she can do no wrong. While it is great to see them get together, there is not much push-pull.

The FL is sweet and innocent. She is well casted in that role, but it is hardly a challenge either. The rest of the support cast are standard issue and I, for one, am glad that the parents are so nice and supportive. As I said before, inoffensive.

The 2CP is fine. Has a bit more kinks in their path to happiness but we know they are the 2OTP hence it is so written so it shall be done. The 3CP is more about social commentary than the pursuit of happiness. Thus, they are a bit inconsequential. Everything is . . . fine.

I would be lying if I say that I didn’t enjoy this little romance, but I would be hard pressed to recall its storyline in a few weeks’ time. It is a classic popcorn flick. It is fluffy, harmless and forgettable. That is a shame because the potential is there. The show just has no desire to push any boundaries. This is odd as the underlying storyline is all about the FL trying her best to succeed in her career.

BTW, there is a 30mins “epilogue” which is total sugar overload. It largely consisted of bonus scenes that didn’t make it to the actual release. Sweet, so very sweet.

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More of the same with odd stumbles

I, like many fans, were looking forward to S2 with great expectations. It pains me to make the next statement. I like aspects of S2 but I don’t love it in totality. It improved on some bits, kept a lot of "what is not broken" but also created some new problems.

On the positive side, the ML has matured into his role even though technically no time has passed between Seasons. He does look very thin in some scenes which is concerning. He is no longer a young buck who needs rescuing all the time. The ML has become a real player in the power game. It is great to see him go toe-to-toe with his foes and even some of his mentors. The downside to this is that he is given even more screen time to the detriment of other actors. This diluting of some character interactions really hurt elements of the original story.

I’m glad to see some storylines are still engaging. However, it is not all good news. There are stumbles in the narrative that left me scratching my head. Such as the whole episode devoted to selling Treasury Bonds. It fits into the overall narrative, but it feels like the cart pushing the horse. It is odd.

This also includes the exaggerated use of comedic elements. Some actors overact for cheap laughs which feels incongruous. The worse offender is the use of the yodelling song. Why? It is so jarring.

If S1 has a big cast, S2's is downright bloated. Most of the returning characters resumed their old roles but with developing plots, there are changes. It was quite a neat revelation at the end of S1 when the 2nd prince was revealed to be the hidden antagonist. He was intriguing in S1 but now he feels a bit lame once he openly challenges the ML.

Speaking of expanded cast, Several characters from S1 took on more prominent roles. Rou Rou is definitely one of them. Her role changed substantially. However, I’m not sure about her training to use the Ultimate Weapon. Is that a breech too far?

Another one is Ye Ling Er. Gina Jin took over this role. I'm not 100% sold on her visual and the "changed" characterisation. There is even a hint of a tragic love line brewing. I'm not sure I'm onboard with this but we shall see.

As expected, the story becomes more convoluted as schemes and counter schemes are minted. This does slow down the overall pacing noticeably. The revelation of the link between Xian and the Emperor certainly stirred up a lot of high emotions and opened old wounds. Nothing was resolved by the end of S2 so it is up to the writer to tie in the game of throne plots with the underlying sci-fi theme.

Speaking of ending, I’m happy that we don't have another cliffhanger. It was surprisingly positive and even a little cheeky. Maybe this is because S3 is already in the works so we don't need to force the issue. However, the last few eps did feel a little out of sorts for me. The "invention" of a banking system and the three workshops plot feels a bit awkward. The Ming family storyline is disturbing. It feels ham-fisted though. We become numbed when the body count of faceless victims balloons.

Production quality is decent but a bit inconsistent. There are silly mistakes which should be caught in post production. I know, they must maintain continuity, but you'd think improvement would be universal after 5 years plus a bigger budget.

I certainly enjoyed the drama, but it is not a slam dunk for me. There are some striking visuals and more depth to some plots but at the same time, not every subplot fires. Ditto some roles feels watered down or sidelined. May be there are too many cooks in the kitchen. That is a typical malaise of palace/political dramas. In the end, I'm happy to have watched S2 but I'm not blown away.

Finally, the elephant in the room. There are rumbling from netizens that the adaptation is drifting further and further away from the source novel as the series progresses. I don’t have a strong opinion on this, but it could explain some of the plots, characters and pacing issues.

Bring on Season 3!

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Let’s play a game of Whack-A-Trope!

I started watching this show when it was first released. It looks alright. I got past the half way mark before I was blocked by the VVIP pay wall. I ended up watching other shows and shelved it until now. I thought I'd finish it, but to my surprise, it was quite a struggle.

After giving it some thought, this is my conclusion. While the first dozen or so eps were decent if samey to many other contemporary c-dramas at least there was enough energy to push the story along. It is obvious that the show is a grab bag of tropes from the get-go.

However, once the plot is on rail and the OTP are officially, all the momentum are gone. What is left are very tropey plots and cliche gags to try to keep things moving until the bitter end.

This is not helped by poor character development. The ML is obviously the typical cold, low EQ boss and the FL is the damsel in waiting. Rather than allowing both characters to grow (up), the writer paints the ML into a corner.

The ML is now a lovesick puppy who run through all the typical dating fails. For example, he can't cook but tried his best to cook a meal for her. It was cute the first time. Not cute by the 6th time! He is constantly asking for relationship advice but totally misses the point.

This is a man who is supposed to be an intellectual giant, a peerless lawyer. He behaves like a lovesick high schooler EVERYDAY. Yes, he is a noob to love but flogging the same horse for 30 eps, is exhausting and makes him looks like a fool.

On the other hand, the FL is supposed to grow into a lawyer that is a fitting mate for the ML. I'm sure it was written in bold and probably underlined in red by the writer but what the show delivered is largely the same meek character.

The ML is overbearing and too protective. It got so bad that the FL took a break from their relationship. Bravo GF! Finally, a bit of gumption. There was a breakthrough of sort around ep.35. It was so contrived. It went from confrontation to reconciliation in a heartbeat. Then after all the flowery speech about giving her space, respect and undying love, the ML just went back to being a green-eyed monster in the next scene. It is odd how much time he is seen not doing real work. He just seems to be stuck in a loop alternatively trying to please her and annoy her.

This type of repetition is everywhere. A kiss being interrupted by a phone call is a tired tropey nowadays but in this show, I ran out of fingers trying to count the times they were interrupted if there is a mere hint of skinship.

Oh yes, speaking of skinship, there are some, but they are mechanical and lack passion. It pretty much mirrors their chemistry. It is there and they whisper sweet nothing to each other on cue, but it is not very convincing. This is further tested when the show introduces a SFL who scored the worst own goal. Least said, the better. You want to see chemistry, watch the first few eps of Amidst A Snowstorm. You won’t regret it.

It won’t be a party if we just talk about the leads. How about the tone deaf, bootlicking junior lawyer? Someone needs to have a good chat with him. Preferably in a soundproof padded cell and behind locked door.

The grand prize goes to the antagonist, He is given so much prominence. When you consider he is supposed to be the twice winner of the Golden Scale Award yet at every turn he is proven to be a C grade lawyer but an A grade douche bag, it is sending some weird message about the Chinese legal fraternity. His denouement didn’t happen until the dying minutes of ep.36. It was long time coming but it was unrewarding. He is not punished in any tangible way. His parting words are, “this isn’t over!”. Yay . . . I think.

At this point, I must call out the handful of legal cases the drama presented to us. They range from meh to sad. I don’t know the Chinese legal system, but I don’t think the writer is much more knowledgeable. Time and again, the cases are supposed to showcase the ability of the leads, but they are so contrived, it is like reading a murder mystery backwards. Scenes in the courtroom are perfunctory.

Of course, the HEA ending arrived on cue. It is fine. The last ep is total fan service, it is FINE. The 5 minutes long epilogue is the bomb!

I could have just labelled this a fluffy rom-com and move on. But somehow, this show irritates me. Maybe it is the ham-fisted use of tired tropes, the shallow witless plots or cliché moments stuck on repeat. Regardless, I had more fun writing this review than watching the show. That's a win, isn't it?

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This show needs a scripting coach. Not a dating coach

What impressed me about this show is not the plot, which feels tropey and bloated, but the acting of our leads, especially our FL.

Allow me to explain. I knew the FL has great visuals especially her eyes. They are so expressive. She certainly looks glam from her first scenes, but her role soon required her to pull all her carefully curated facade down. We are talking total demolition. So much ugly crying, drunken antics, and serious faux pas. This is not unheard of in k-dramas where excessive drinking seems to be a national sport but most rom-coms would not take things too far and will let the leads down gently before buoying them up with a new lease on life and love. It is rare for a show to drop their FL in a pit of despair like this. So, hats off to Yoo In-na for her dedication to her craft.

Now, the plot was running reasonably well up to the halfway mark and you'd think that we are on course for an easy jog to the finish line. Unfortunately, we are hit by a relationship tsunami;
a) Both leads have had a nasty breakup, and both are hurting. Their growing feelings for each other is helping them to heal but their burgeoning romance begins to founder after their first passionate kiss. Add a couple of clingy ex's and it is a party. Hey, maybe we should start a drinking game. We take a shot after each cliche plot device. (Shot #1/2/3)
b) The marriage of the 2CP (FL's BFF) threatens total meltdown. It is also the usual growing apart/you changed trope (shot #4). I’m not saying that it can’t happen in RL, but it feels scripted and the resolution swings their relationship in the completely opposite direction without much preamble. It does make you wonder if it is sustainable.
c) The 3CP failed to launch when the older boss rejects the young pretty part-timer. It is the classic ahjussi-sonyeo setup (shot #5). The boss was burnt by a messy divorce, so he pushed back hard initially. This is not helped by a lack of chemistry between those two. Does the 3ML loves the 3FL at all or his took the path of least resistance once his male ego was suitably stroked. I see troubles ahead.
d) The 4CP's (FL's sister) romance is a textbook "love at first sight" trope. (shot #6) It is cute and sweet enough but it gets complicated real fast. Which resulted in another tropey situation. (shot #9? I'm too drunk to count)

When you consider there are only 14 eps rather than the usual 16, we have a petri dish of woes. This creates a lot of interference and left little room for our OTP.

This is a serious issue as it is the chemistry and connection of the OTP that captivated us in the first place but then it hits a wall while the ML tries to overcome a speech impediment anytime he needs to confess. All the while, the FL is suffering from terminal frustration. The extra 3 CP's and sundry ex's are fillers and they take the wind out of the OTP’s sails. Who’s show is this anyway?

By now, I'm hanging on with grim determination. There is no reason for the show to go dark on us and commit hara-kiri but there are moments of self-doubt. It is with a collective sigh of relief that the final episode delivered a sugar overdose. It is pretty much pure fan service. Not that I’m complaining but it really highlighted how the show took some serious detours before arriving at the designated spot. Honestly, I can pinpoint scenes where the ML could have said the magic words to the FL and we are home and hosed.

Acting wise, the FL is the star of the show, but the ML is very charismatic. His chemistry with the FL is undeniable. I loved his ability to portrait his inner thoughts, but I hated that aspect as well because his indecision has a major impact on the flow of the plot. However, this is a script problem.

Speaking of acting, the support cast is ok but most of the roles are tropey and one dimensional. For a shortened run, there are too many side plots/characters. It is hard for us to sort the wheat from the chaff. This is where the show lost points with me. Focus! Writer-nim focus!

In hindsight, I can see why the show wants to push the idea of loving someone for their real/imperfect self, rather than someone who is roleplaying the perfect partner. It is particularly true in this age of unrealistic expectations created by overheated social media. However, is that message consistent across all our CP's? I'm not so sure.

The show is entertaining, and I enjoyed watching our leads falling in love and healing each other. There are some skinship and a decent amount of swoon worthy moments. The rest is a bit of a crapshoot, and your mileage will differ. I do think that a better script with more clarity, fewer side plots and a smaller cast can take this show to the next level. Peace out.

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Great start, nice middle, disappointing tail

This Show’s premise is hardly original. The FL is a sweet, kind country girl who was thrust into the limelight and more or less onto the lap of a hard as nails CEO. Of course, the enemy to lover progression is guaranteed. What set this Show apart is the chemistry of the leads. Their early interactions are a bit slapstick in nature and their comedic timing is good. They are so cute together which makes it easy to ship them. The melting of the ice king is a delight to watch if somewhat predictable. The innocent yet strong FL easily endeared herself to us.

The story is angst light for the most part. The support cast is not bad. The grandpa is all-seeing and sage like. The gaggle of company secretaries is largely used for light comedic relieve but they are surprisingly effective in that role. They are also the primary cheerleaders for our OTP. The 2CP has a rougher romantic journey and their meet-cute is good but it also included a big plot hole that is never explained. The antagonists are one dimensional and more irritating than dangerous. It provides just enough distraction to reduce the sugar content below WHO standard.

To be honest, I was pleasantly surprised by this show as it tells a simple story well and everything just clicks in the early to mid stages. The romance is the primary focus, and the leads are interesting enough for us to care for them. It will not win any awards but it is definitely better than the typical turn-key productions.

Much to my chagrin, the Show seems to have lost its way towards the end. It is kind of functional but in my eyes, it is shambolic and dubious in its delivery. Trouble started soon after we find out that the younger brother isn’t actually in love with the FL. I'm glad that they didn't throw in the ubiquitous breakup, but we are not out of the woods.

The problem starts to pile up once he decided to really go rogue and try to take over the company by backstabbing all and sundry. We'd have a decent chance to resolve the brothers' problem calmly and logically but the Show just went all in.

Once the escalation starts, the narrative logic starts to unravel. This is not helped by the one-note behaviour of the antagonists. The SFL is single-minded and immature. The business rival is a joke. The uncle is an annoying bit player and so one dimensional. There is no growth in any of the second tier characters.

Awkawrdly, the grandpa just sat back and look on disapprovingly. He should have some reserve power both as the chairman of the corporation as well as the head of the clan. He did the talk but not the walk. It is a very unusual turn of event for a head of a family/business in a c-drama.

Then so much time is wasted on looking for a cure of his condition. Most of those scenes are just paddings. I had to rewatch bits when he said that the FL has cured him. How? I didn't see her doing anything substantial. I watched that scene twice. All he said was that he needed to know that he won't be abandoned again. QED, the FL is the cure. Hmmm, the grandpa didn't abandon him and his brother is his shadow. I am baffled. Not to mention that it is not even psychobabble grade stuff. It is more like a minor lightbulb moment. Is that it? Is it true love or the sex? My PhD is riding on this thesis.

To add salt to the injury, the final boardroom showdown is so contrived and jokingly undramatic. The younger brother then just ran home and sulk. That’s one heck of an evil mastermind.

The whole segment about the visting master is largely filler. It is a bit of fan service and it would have worked better if they ejected the back-stabbing brother subplot and kept the narrative light and breezy. Then it would be some harmless, irrelevant fun. Now it is a bit cringey and awkward to be honest. The brother going with the master as his new student isn't a big surprise because that does round out his surprise visit and starts the brother’s redemption arc. The problem I have is the inconsistency in the narrative. The first scene, after a 3 years’ time skip, is the brother being a dick and won't help a girl in the village. Why? Then the next scene he is now the nicest “barefoot” doctor saving the same girl’s life. My head is spinning. Is he good or bad?
It is as if the writer couldn't put up a decent ending for the show and it got worked on by a committee, resulting in many drafts and more revisions. The last few episodes just feel kooky and shambolic. I was really enjoying the show for the most part but I ended up being disappointed in the end. Why does that sounds like a c-drama curse?

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