Charles Dickens once penned, "Gold conjures up a mist about a man, more destructive of all of his old senses and lulling to his feelings than the fumes of charcoal." The basic meaning applies well to Golden Empire: one taste of money infects the bearer, and those blinded by it are subject to its venom. Literary and historical references enhance this drama, apparent in the deeply evocative dialogue and vibrant plot twists taken over its course. Just as classic novels may enrich readers, Golden Empire embodies the same potential for viewers in its uniquely realized sprawl. By that same token, some will feel daunted or bored -- as some may when dealing with any form of entertainment considered "classical" or "high brow." As a period piece, Golden Empire explores harsh years in Korean history. While we are enfolded by this unique atmosphere, the opulent poison represented by the Choi family's own corporate power and wealth begins to take hold. Managing to be highly personal and impactful (even as it tackles complicated business affairs), this is a drama without cliche. Potential viewers should note only negligible romance is present. A few dalliances do exist, but these are far from sweet. For instance, one of the first and foremost openly compares its trajectory to the ill-fated connection between Eva Braun and Hitler. Of the heavily explored ties, family and business are king. Don't expect fuzzy heart flutters here; in the world of Golden Empire, loved ones stab you in the back for even one more share and prison is just another business trip. Some imperfections exist admittedly; early episodes are strewn with time skips and somewhat confusing cinematographic cuts. It took about five hours submerged in this drama for me to find my footing and solidify my understanding of the plot. Once I could, the rest of the experience was riveting. The leads offer juggernaut performances. Go Soo becomes Jang Tae Joo with almost theatrical flourish, building him impressively. This character represents the unpredictable, behaving radically in the race for money and influence. As such, his portrayal adopts a delightful and intoxicating element of controlled volatility, comparable to a lightning strike. It was a pleasure trying to figure out what he might say next and just how. Son Hyun Joo and Lee Yo Won embody the brilliant, but tragically flawed Choi cousins. Both of them had an amazing ability to begin friendly conversations and end them with figurative claws out. Out of the three addressed in this section, the persistent Min Jae (Son Hyun Joo) captured my attention without fail. His scenes comprise some of the most dynamic I've encountered in any drama; truly, both character and actor are highlights. Watch out for any scene including even two of these talents; it's guaranteed to be thrilling, especially if it includes both men. Orchestrations were generally well applied, often serving to add that extra punch to a scene. The best description that can be made of them "moody, elegant, and high drama." Beyond the incredible introductory piece though, I'm not sure any of them make for good post-view listening. Vocals are another story, with Yeon Gyu Sung ("Crying"), ALi ("In My Dream"), and Sun Soo Jin ("Shout to the World") serving up some of the best I've heard all year. Despite romantic lyrics occasionally inappropriate to the series, but hey, they sound great.