The marketing team on this movie must have had one hell of a headache trying to figure out how to make it accessible to a wider audience. They obviously didn't succeed seeing as there was almost no noise about this movie at the time of its release. And that's a shame, considering how well-crafted and intelligent it was.

It actually operates on a conceit that's fairly common these days; the non-linear yet interconnected vignettes that coalesce into an overarching plot. Oftentimes, in these types of films, the actual story is less interesting than the way it's assembled. Take for instance, Christopher Nolan's Memento (2000), which was fascinating for its accurate and chilling portrayal of the nature of retrograde amnesia but would have been merely a middling crime thriller if assembled in chronological order. However, other films use this plot technique in order to symbolically resonate with the themes presented in the story, such as Marc Webb's charming (if a bit precious) (500) Days of Summer (2009). Fish Story definitely falls into the latter category and (at least for me personally) does even a little bit more.

I love the Butterfly Effect. Not the crap film starring Ashton Kutcher but the actual phenomenon. It's something that, when portrayed right, can be smart and gripping. Fish Story uses the medium of urban legend to give some physical form to the theory and to trace the evolution of a myth and its implications for the fate of humanity. It sounds a bit ludicrous and melodramatic, but the film is so self-assured that you really can't doubt its intentions, ones that become more and more believable as the film progresses. And, if all of that sounds lacking in proper gravitas (which it sort of does, on paper), the film also has a recurring theme of resilient underdogs who emerge triumphant or at least at peace at the end of the day. As such, even if the main story doesn't float your boat, there will be definitely something to appreciate in the smaller arcs.

Lest that all might seem a bit stuffy, the film actually has a good sense of humor. One that's a little self-deprecating and rife with situational irony. It might not be a laugh out loud comedy, but it will definitely elicit a wry chuckle or too here and there at the expense of some of the more hapless characters. Which, come to think of it, is essential in a film like this. It's not hard to become pretentious when using this particular film-making conceit, but Fish Story so easily circumvents this pitfall because it knows how to laugh at itself.

Is it the best film ever? No. It's probably not even the best film in its niche genre, but it's definitely safe to say that it stands in the top ranking for being the most fun and the most exhilarating. And also for having a great song. If you're into punk or j-rock, Fish Story (the song) is a satisfying reason enough to give this film a spin.

Tl;dr? Watch it for some intelligent fun, an interesting storytelling format, and a kickass song.

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The "soulmate" idea is rather dated. In fact, I think its cultural relevance really took a nosedive when angry (or worse, desensitized) nineties kids became the proponents of modern youth culture. Their way of thinking was called cynicism back in the day; now it's just another norm. At least that's true in America. However, Korea, as I've come to see it through its popular entertainment, has a culture that still embraces (and positively beats to death sometimes) the concept of fate. Destiny. Meant-to-be. So what better format to tackle the soulmate conundrum than the k-drama?

Except this wasn't your average k-drama. It's called a sitcom, but that isn't giving it nearly enough credit. It's also called a romantic comedy, and while it has romance and comedy, that's not a nuanced enough classification. And, while almost 100% of Korean dramas follow the 16-20 episode format with such uniformity that predicting which episode the big confession will happen in is almost an exact science, this one turns linear storytelling into a loose guideline rather than the strict rule. Also, the fact that it was entirely preshot without the stresses of the live-shoot system really shines through; it is confident and the different plots dovetail and interweave with efficiency and steadiness.

The writers were particularly successful in creating deceptively sharp characters. On the surface, they appear to be stock and silly. Most of them WERE stock and silly. But, taken as different, embodied responses to the "do soulmates exist?" question, they become luminous in their own right. And, of course, I would be remiss to forget to mention the wonderful cast especially Shin Dong-wook (effortlessly charming and insouciant) and Lee Soo-kyung (hilarious in her permanent exasperation).

The one thing I really liked about this drama, the aspect that vaulted it directly into my list of permanent favorites, was its way of handling life's little intersections, the minor butterfly effects. How we're a lot closer to others (and by extension, different types of happiness) than we think. The format is a direct manifestation of this and also gives a physical motion to the very cerebral process of emotional maturity. To say more would be to ruin the pleasure for first time viewers, but there IS this one scene that involves rain and Lasse Lindh's gorgeous song "C'mon Through".....

Most importantly, the writers found that perfect sweet spot between the opposing poles of the big question. The tone was neither idealistic nor cynical; skeptical, perhaps, is the right word although it implies more negativity than actually existed. Maybe it is most accurate to say that there was a thoughtful melancholy to it, one that removed it from the realm of throwaway slapstick and placed it firmly on a higher plane. This is Soulmate's strength: It has the singular ability to turn what might have been utter, lowbrow farce into something intelligent and bittersweet.

Tl;dr? This has my definite endorsement. Watch it for something different with a lot of laughs and a lot of heart.
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