Everything you could want from a movie. Old Boy is EVERYTHING you could want from a movie!

Park Chan Wook is a mastermind - First Joint Security Area and then The Vengeance Trilogy! It says something about film journalists that nobody wrote about Park Chan Wook before Oldboy won the grand jury prize at Cannes 2004. Oldboy is the second part (Sympathy for Mr. Vengeance was the first) in a planned revenge trilogy. Sympathy for Lady Vengeance is the third and final instalment.

Dae-su wakes up in an empty room. The door is locked, no windows. His only company is the television. He gets food through a hatch. He works out, writes in his diary. Via the television, he learns that he is wanted for the murder of his wife. His daughter has been adopted by a Swedish couple (a fun small detail because a Swedish soldier also figures in Joint Security Area.) He has been stripped of everything that matters and worst of all, he doesn't know what he did to deserve it! He is fixed, every day is the same. Claustrophobia turns to despair. He tries to commit suicide but fails. After 15 years he is released. Who locked him up?! Why was he locked up!? Why was he released?!

The film is based on a Japanese manga.

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Absurd, twisted and deliciously dark family saga.

The gap between the poor and the rich is depicted with sharp humor, unexpected twists and a lot of darkness in Bong Joon-ho's Parasite. It's a lovely black comedy about the most twisted household since Dogtooth.

Despite unemployment and poverty, Ki-taek and his family manage to keep their spirits up. Mom, dad and two soon-to-be-grown children are crammed into a shabby basement in a run-down alley, constantly looking for odd jobs and free wifi. The family doesn't have much, but they have a nice cohesion, cordial jargon and ambitions for a better life.

When the son Ki-woo receives a tip about a job with a rich family, the possibilities for an extra income open up. With a forged university diploma, he gets a job as an English teacher for the Park family's teenage daughter. Also living in the luxurious villa is a businessman, his housewife, a quiet guy who mostly expresses himself through drawings, and the housekeeper who keeps everyone in order.

Ki-woo soon seizes the chance to arrange a job for his sister, Ki-jung, as the boy's "art therapist". He advises Mrs. Park of "a talented acquaintance," who is "probably very busy," but he will do his best to arrange a meeting. On false credentials and with made-up names, both siblings have soon tricked themselves into employment with the wealthy family.

How long can they keep up the lies, and how far can the charade go? This is just the beginning of a twisted scenario that Bong Joon-ho (Snowpiercer, Okja) has so masterfully directed. Here is the DNA of both the Sune family and the absurd Greek Dogtooth (2009) from Yorgos Lanthimos. While Parasite feels completely original, never predictable, and impossible to put into a single genre box.

Comedy and tragedy go hand in hand through Bong's twisty corridors, and you never know what awaits around the next corner. Parasite is a film that is best experienced without knowing anything in advance. It's an entertaining story that grabs me early on with its delightful humor, and then just tightens its grip more and more as the film goes on.

Not entirely unsurprisingly, the director also talks about the gaps between those who have money and those who have none. You can see the film as a commentary on a society where the poor take desperate measures to climb out of their misery, and where the rich turn a blind eye to what is happening in the outside world. Bong Joon-ho has made one of the best movies of 2019, and I'm loving every second of it!

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Lots of action but messy script.

When Squid Games Lee Jungjae takes the director's chair to give his version of what the machinations of the South Korean security police in the 80s might have looked like, there is no shortage of impressive action scenes. Lee Jungjae and Jung Woosung in the lead roles make up a charismatic duo, but on the whole, Hunt is unfortunately a fairly messy film experience...

The year is 1983, 4 years after the fall of dictator Park Chunghee. But the new president is also a dictator, which provokes protests from the South Korean immigrant population in the United States before his visit. “Drive him out,” they shout, and when the South Korean officials wonder why they can't just drive the protesters away, Park Pyongho (Lee Jungjae), the head of the foreign affairs unit of Korea's Central Intelligence Agency (KCIA), patiently replies that they can't in the US (and gets the somewhat sarcastic answer that the protesters have very strong opinions about the homeland after abandoning it…).
 
The introduction shows the difference between the free country in the West, and the censorship and corruption back home. Because soon Park Pyungho is back in South Korea, where protesters are beaten and tortured, where corruption is high, and where you don't know who you can trust. Especially not as it is revealed that there is a North Korean spy within the KCIA, someone who goes by the code name "Donglim".
 
Park Pyungho is tasked with identifying the spy, but the same task is also assigned to Kim Jungdo (Jung Woo-sung) of the KCIA's domestic unit, which gives rise to an intense power struggle. Park Pyungho is a veteran of the agency while Kim Jungdo is a newcomer from the Korean Army. Park Pyungho comes across as the more sympathetic and righteous of the two men, especially as he condemns Kim Jungdo's use of torture in his interrogation methods. It turns out that he has his own experiences with these as Kim Jungdo previously interrogated him, which left him with permanent nerve damage in his hand.
 
Lee Jungjae is a lovely anti-hero (for sure, there are male melodrama ingredients here, the reluctant legal fighter who suffers the heavy injustices of life, and selflessly risks his life, accompanied by melancholic music). A tough guy who installs a corrupt leader within the unit, and protects the young and beautiful but secretive college student Yoojung (Go Younjung). He seems to have taken to her since her father was killed, but their actual relationship remains unclear for most of the film. Here we get some sort of explanation at the end, but everything else leaves us with question marks.
 
Because the spectacularly well-choreographed action sequences aren't always narratively supported enough to justify them. Much of the violence is unprovoked, and serves no narrative function. You almost get a little sense of what a German crime drama would look like if it was accidentally mixed with splatter. A traditional film adaptation cut together here and there, with interspersed violence from ear files to mass shootings and car chases and everything in between. The plot becomes difficult to follow.
 
This makes the movie experience a bit frustrating after a while. Spectacular action sequences and close-ups of the charismatic Lee Jungjae are not enough to fully sustain interest throughout the film's 2 hours and 11 minutes. Crime dramas and spy films work best with methodically planted clues that, while surprising, move the story forward - A story you can follow and understand.
 
Hunt carries too many secrets, too much unprovoked violence, and too dark motives. The characters may be moving in a time of psychological terror, where everyone around them is a potential enemy, but the script that conveys this must still be the audience's friend.

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Murderous children's games of the highest quality.

Are you in the game - Can you endure the game? The contestants of the hit series Squid Game may have thought that children's games were a simple match, but it turned out to be a delicate balance between life and death - Depicted in an absolutely brilliant way in this nerve-wracking Korean series.

If you have everything to lose, well, you might as well lose everything. The almost 500 participants in the mysterious Squid Game are all hand-picked because they have one thing in common - They are all so destitute that they barely have anything to live for. Above their heads hang literally millions of won and herons, which in their situation and opinion could solve all their problems. The crux is that they have to get through a number of challenges - But they also have to win over the other participants.

Gi-Hun (Lee Jung-jae) is one of them - A daydreaming loser obsessed with gambling, something that has put him at odds with both his aging mother and his neglected 10-year-old daughter. When the chance in the form of a chuckling businessman (Gong Yoo, superstar from, among others, Train to Busan) appears, he quickly seizes it. Child's play, it can be very easy to get through and it is as planned so that he can grab the many well-pressed bundles of bills.

But if you lose in the games, well then you lose your life too. What begins with a chaotic Red-Green light soon leads to increasingly complicated games, and even behind the colorful backdrop of the game, trouble begins - Both with the participants but also within the other closed doors behind this giant puzzle land. Parallel to the bloody exciting games going on, we get to follow a detective (Wi Ha-Joon) who tries to uncover what is really happening - And why.

The entire world's Netflix audience seems to have opened their eyes to the mildly nerve-wracking and stress-filled massacres of children's games in the Korean Squid Game. Seasoned viewers of Korean K-dramas will see the usual depth of character mixed with thoughtfulness and a light dose of sentimentality. There is a moral to everything that happens on our screen - Nothing is really just a coincidence. At times it can be predictable, but how the story is told and how detailed it is can be at least as important as the result.

Psychological games and who we really are under pressure, we've seen that before. But rarely has it been done in such a charged, heartbreaking, and well-written way as in Squid Game - Which is also heavily sprinkled with social criticism. Is it our fault – Or is it the system's fault? Stay far away from the Hollywood of capitalism - No paws at a remake of Squid Game, then you have missed the point.

The disputes and thorns in Squid Game are many, and nerve-wracking. The series will keep you curled up and as if on pins and needles, throughout all of the series' nine clever and well-made episodes. Follow the k-hype with Parasite, Burning and Minari - But whatever you do - Skip the unnatural dubbing!

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