The story seems simple and full of tropes: amnesia, chaebols, cinderella-like characters, car crashes, etc. but none of them felt melodramatic at all-especially when those cliches would usually spell out melodrama in other dramas. The drama's anchor is on the chemistry between Seo In Guk and Nam Ji Hyun and the drama knows its strengths so it focuses on that. The progression of their relationship is organic, genuine, honest, and just full of cuteness! The story isn't fast in the sense that things are always happening but the continuous character growth in the relationships is what will keep you watching. You become invested in all the characters and grow to love them- all of them. That was the draw for me.
I love this drama and its Cinderella feel. It's such an easy watch but not boring- and that's so hard to achieve, having light cuteness that's balanced by heartfelt moments
I really liked the OST especially Tiger Moth by Monsta;it's still playing on repeat.
I recommend SKL, completely if you like:
-cuteness overload, in a good way
-a well-done rom-com (actually hilarious and romantic at the same time)
-no melodrama because the writer defies all the cliches you think will happen
Shopping King Louis is one of the most pure, innocent, and heart-warming dramas I've watched in a long time. I sincerely recommend this to y'all especially if you need a little bit of Louis to lift up your spirits!
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There are some dramas that makes you remember them forever and Reply 1988 is definitely one of them. It's simply remarkable. If I could give a 100, I'd gladly do that with the full heart. Because it freaking deserves it.
I've been always been bound to 70's and 80's, because it's a time of my parents, their youth, happy days, their life and exciting stories and I've always listened them with a whole heart and a glowing eyes when they talked about their days. So, as this drama brings nostalgic feeling that's probably why I even LOVE it more. The lives of five teenagers, their parents and siblings are shown to the perfection that I wished I was with them there, sharing happiness and sadness together. That's how much influence this drama had and still has on me.
Out of all Reply series this is the BEST one for me. I loved how this drama showed problems our families face every day, where everything is not only black and white, yet grey, where we need to make a decision between what is right and what we want. The caring and loving of a family is the biggest gift we have, because no one will love you as your family do, especially your mom. Oh yes, since I'm on a mom theme, this drama the nearest shows how our mothers sacrifices everything for us, our happiness. That notion stroke me right into my heart, because my mom is the big victim for me and my brother. And that's probably why I got into this drama characters and stories. Another facinating thing is that great friendship we have only once in our lifetime. No matter how tough and hard it gets, besides your family, your friends are always there to give you support and to consule you. That was the case in this drama too. All five characters showed a true and pure picture of friendship. Five characters with different personalities, interests and thinking are together since childhood and became inseparable since then. Together they were stronger, together they were braver and together they loved more. I'm getting goosebumps just writing these words.
Characters are everything to this drama. Every single of them is written with a much thought that you really wanted to know all of their stories. I liked Deok Seon. She is funny, caring, loved by everyone and she's the only girl in their group. So, I wanted to be her with all those gorgeous and funny men. Ryu Joon Yeol, that man is a pure hotness. His character, Jung Hwan, stole my attention, I have to admit. His character is perfect, a man every girl wants. On the outside you think he doesn't care about anything, but in fact he's very caring and loveable. He doesn't know to express himself and as he said himself, he always misses timing and that's why he was always late for some stuffs. However, his heart is pure, honest, his smile very alluring and that's why he won me over. I experienced Choi Taek (Park Bo Gum) as someone who needs protection, clumsy, but very intelligent man, but through the whole drama I felt him like their dongsaeng, they cared and prepared everything to him, like a baby. He is the cutest one. Then, it comes Sun Woo, the man which I love dearly. He's such a cool character. Sun Woo is smart, the only man in his family he protects his mother and little sister, but also a man who needs love and attention. As the drama goes, his story becomes very interesting, so I can say that he's my favorite right after Jung Hwan. And last but not least is Dong Ryong. Oh man, I laughed so hard whenever he's on screen. His awesome sense for humor, charm, care is just to be wished for. A man every person needs for a friend. The ace of a group. ;)
However, what gives charm to this drama is parents and supporting characters. The family which I adored the most is definitely Jung Hwan's and his mom so much reminded my of my mom and I guess that's why I felt his family more than others. Ra Mi Ran is mom to be proud of, just like Jung Hwan and his brother are, a wife to love and respect forever and a friend on who can always lean on. Gosh, I love that woman from the bottom of my heart. Along with her, Bo Ra is my second favorite character. She resembles so much of me in every single way. Do I need to say more? :P Every character is written in its own way, with faults and virtues, but together they try to overcome it and be happy.
Music is brilliant. Those old music has always been dearest to me, innocent, pure and brings nostalgic feeling. With so many great soundtracks, famous singers from that period they really tried to find them use them all at the right scene and moment. I've been listening the whole playlist all day, that's how much I loved it.
Reply 1988 became my top 5 drama. The whole drama exudes strongly, leaves the feeling of love and happiness and you just feel complete after watching every single episode. I simply lived with this drama.
“The reason I miss that time and that street isn’t only because I miss my younger self. It is because my parents’ youth, my friends’ youth – the youth of everything I loved was in that place. I regret not bidding a final farewell to the surrounding of my youth that can never be brought back together again. To the things that’ve already gone, to the time I can’t return to… I bid my belated farewell. Goodbye, my youth. Goodbye, Ssangmun-dong” -Deok Sun-
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ACTING/CAST: These guys were quite cute and they did a good job.
MUSIC: After watching this again, the music is very good.
REWATCH VALUE: Yes. I already rewatched it with a friend. So hilarious.
OVERALL: Want something funny to watch? This is great. I hope they continue this series.
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I seldom write reviews for dramas, but I felt that this drama was worth my time to recommend it to others. Frankly, I went into this drama without high expectations because the plot summary sounded a bit funny at first. However, this drama proved me wrong and turned out to be one of the best rom-coms I have ever watched. I found myself waiting desperately for each Wednesday and Thursday to come, so that I could immediately tune in for the latest episode. And, more so, I found myself laughing and crying along with the characters.
This is a drama for people who like simple romance, without much salt and pepper, just pure unsophisticated interactions between two individuals in their home space as they gradually fall in love. This is also a drama for people who like to focus on main leads and don’t care much about side characters and their subplots, because all the side characters in this drama are purely for the development of the leads.
Story 8.5/10
The story is about a man called Kim Min Kyu (Yoo Seung Ho) who, due to childhood trauma, developed a rare illness that causes him to be allergic to humans (as in REAL skin allergy!) and he has since then lived all by himself for 15 years. Doctor Hong Baek Gyun (Uhm Ki Joon) gets Min Kyu to test out his newly invented robot, but due to unexpected circumstances, Jo Ji Ah (Chae Soo Bin) was sent in in place of the robot, and there begins their cohabitation life where Min Kyu slowly opens his heart and learns to trust people again. The story focuses on the two main leads and their daily interactions, keeping the story simple and linear. However, that does not make it boring, as seeing their relationship grow in real time was what I enjoyed most in the process. AND THEY WERE JUST TOO CUTE. Although this is a rom-com, it does have a melo downturn in the second half, so be prepared for some angst.
The reason why I deducted marks from the story, is because the pacing was a bit off in the last several episodes. Sometimes they would deliberately drag the plot for an episode to end in a cliffhanger. This took a toll on the plot development, causing the ending to be too rushed because there were many things left to resolve. However, the chemistry between the characters will still keep you anticipating for the next episode.
The story is not without clichés or plotholes, and while you may judge the realisticity of the story by asking “hey, how is it possible for him to not know how to distinguish between robot and human??”, I would say it depends on what you expect from watching this drama. Since this is a sci-fi/fantasy rom-com, its main goal is to present a funny, light-hearted story that does not necessarily have to follow the principles of reality, as long as it is internally consistent and effectively delivers what it wants to deliver. And I think this drama did an excellent job at telling a beautiful story about how bonds are formed, and how love could make you recognize a person’s soul no matter how they may change. As long as you overlook the basic assumptions that the story is founded upon, it is an enjoyable story.
Cast 10/10
Cast was well chosen and fit their roles A LOT – one of the major reasons this drama was well-received is because of the likable cast that keeps us wanting for more.
First of all, Yoo Seung Ho gave a stellar performance as usual. When he cries, you just can’t help but want to cry with him. His emotions felt so genuine and real, that his agony transcended through the screen. From happiness, to disbelief, and ultimately to despair, the transition of his feelings was like that of a real person. Imo, he delivered well the struggles and inner conflict of a character who fell in love with a robot.
Chae Soo Bin’s doll-like appearance and figure makes for a believable robot, and she did an amazing job portraying three personalities (a human, a robot, and a human pretending to be a robot) and they all feel different. On top of that, she had amazing chemistry with Seung Ho. Their adorable interactions were a major leverage to the story, and I don’t think any other pair would have spiked the same type of cuteness-overloaded, star-struck chemistry as they did.
I loved how the Santa Maria research team and the leads were like a real family that cared for each other wholeheartedly. Every member had distinct personalities that made them memorable. As for the villains, they were mainly there to establish the bond between the two leads (and to showcase Aji 3’s intelligence). I was looking forward to the push-pull brotherhood tension between Min Kyu and Yoo Cheol, but sadly it wasn’t developed. I wish the love lines of the side characters were talked about more as well.
Overall, the characters could have been explored in more detail, but since I happen to not be the type of audience who likes side characters and side stories, I am already satisfied enough with my devotion to the two leads. In terms of casting, they all fit their roles very well and I will always remember them as these roles.
Message 10/10
I liked how they made a contrast between characters who think using logic (i.e. the scientists, Aji 3) and characters who think using feelings (i.e. Ji Ah). it shows that emotional intelligence is also a type of intelligence and, although it is often left unseen, it is a quality that’s not inferior to logic. The deeper message – human emotions is something that cannot be mimicked using logic, it is something that can only be felt by humans.
I would say the main selling point of this drama is the sincerity of emotions that the characters share and the heartwarming message. I was definitely touched by the genuine emotions of Ji Ah. She made me understand that sometimes things don’t have to be practical or logical to be meaningful. It’s the heart of a human that makes them transcend robots, and the heart of a human that can make a seemingly useless object become meaningful.
OST 8/10
There’s not much to say about the OST. All the songs match well with the sweet atmosphere of the drama.
Overall 9/10
I can’t say this drama has the best plot, but the chemistry between the characters and the heartfelt messages made up for it. Overall, it’s a drama with sincere characters that are able to touch people’s hearts using their dialogue. The chemistry, characters, atmosphere, and Yoo Seung Ho’s expressive acting have made it work.
It’s been a long time since I’ve been so invested in a drama. This drama reminds me of why I started liking Korean dramas, and I’m certainly glad I didn’t judge a book by its cover and gave it a try. This is one of the dramas that I will always remember even after a long time. It has a special place in my heart.
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The main actress and actor had such amazing chemistry that even after months, just hearing the song "Konayuki" by Remioromen breaks my heart. Thus being said the soundtrack is beautiful.
The reason I didn't give the rewatch value a 10 is because, despite this being a flawless drama, it's too heartbreaking for me to watch again. I would really love to, since it's my favorite, but I have never cried so much in my life. You will want to watch it again but if you are like me, you're not sure your heart can take it.
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This review may contain spoilers
Going On Strike Against This Thing Called Life
Summer Strike started with messages of self-discovery and how one should take a step back to move forward, but it ended with more than that. To me, recovery from grief and trauma was also one of the main themes of this healing drama.Through the journey of Lee Yeo Reum, who decided to go on strike from her life by breaking away from the confines of her job and Seoul, this drama is relatable to viewers who are tired of their busy lives. We all, at one point or another, just want to do nothing.
Yeo Reum was an overworked girl in her 20s who had to deal with a series of hardships in her personal and professional lives before making a life-changing decision. Realizing the hopelessness of her mundane life, Yeo Reum decided to stop enduring so fiercely and simply just be.
However, leaving the stressful city life and starting anew in an unfamiliar seaside village, Angok was not as smooth as Yeo Reum hoped. Encountering prejudice and unfriendliness at first, our young female lead had to go through some pretty harrowing experiences before finally finding herself at a comfortable point in her life at the end of the show.
Meeting a shy librarian, An Dae Beom was a pivotal turn in Yeo Reum's journey of self-discovery. Dae Beom's kindness and calm were like an anchor for Yeo Reum, but he was also tortured by his past. With a tragic family history, Dae Beom had his own reasons for saying in Angok. As the relationship between the leads blossomed, the show covered themes of support and comfort.
The romance between these two with scars was a slow-burn one, enjoyable for me because it was so natural. The emotions and the steady, growing attraction built around an interesting storyline were satisfying for me. There was no culminating intimate skinship, but the pace made sense. There was no doubt that there was something solid between the couple at the end.
I enjoyed watching the sisterly love develop between Yeo Reum and Kim Bom, a high school student, and other heartwarming relationships, especially between Kim Bom's grandmother and Yeo Reum. In addition, other characters with their own demons to face and romance between different couples added flavor to the story.
Interestingly, even though the show was touted as an escapist healing drama, there were sinister undertones throughout some episodes. Therefore, I was not surprised as the later episodes featured darker scenes including a murder scene. However, there was no true case to crack because the show gave no opportunity for the viewers to figure anything out. There is no mystery tag for a reason.
Instead, the ensuing tragic events were meant to serve as a further catalyst for Yeo Reum's and Dae Bom's personal healing and growth.
Some viewers criticized Yeo Reum's character as a doormat, being taken advantage of at work and at the end by the villagers in Angok. Similar criticism was made about Dae Beom and how he was easily manipulated by certain people.
I disagree.
To me, both lead characters have a quiet dignity about them. They chose their battles and fought for what mattered. Even during moments when the viewers preferred for them to stand up and fight back, their perceived passivity was relatable and understandable. They were consistent throughout the show, and the little changes the characters made in their lives had a more substantial impact on the story. Good character development does not always mean 180 degree change.
Without a doubt, the entire cast was great. How the characters interacted with each other and dealt with life, in general, reminded me of how the people I know and I would behave in real life. The show did a great job showcasing the layers of human nature, including its selfishness and selflessness.
Acting-wise, I have nothing but praise for the leads. Kim Seol Hyun and Im Is Wan impressed me with their quiet intensity and ability to emote so much with the smallest expressions.
Finally, to top it off, the soundtrack was memorable for me. The way the show wove the songs and background music into the story was fitting and perfectly set the scenes and moods. I especially like "A Strange Day" by JiHyo from TWICE and "Color" by Sunnie. Enclosed below is the link to the OST list.
Overall, I hope more people will give this drama a chance. For me, the beauty of a "slice of life" series like Summer Strike is how well the show depicts the everyday experience, the struggles of daily life and trying to find oneself during the process, and the stark portrayal of human nature's good and bad sides.
OST list on Youtube:
https://www.youtube.com/watch?v=RIZ81nIsbgM
OST list on Spotify:
https://open.spotify.com/playlist/4QoX21xv9cN6oVHumGfdZM?si=5b7d0c33e7cc400d
* JiHyo (TWICE) - A Strange Day
* The Boyz - Summer Night
* Fromm - A Slow Summer Song
* ENHYPEN (Sung by Heesung, Jay, Jake) – ZERO MOMENT
* Jiyoon (ICHILLIN') – I'll Wait
* Tearliner – We Swim in Dreams (Feat. Bang Jaemin)
* Tearliner – Me, the Protagonist (Feat. Love X Stereo)
* SEOLA (WJSN) - Lover
* Kum Junhyeon - Hello, Stranger
* Sunnie - Color
* Hwang Inhyeock - I Will Remember You
* Low-end Project - I See You Like I See the Sun
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1A timeless love story with no beginning and no end.
An Ancient Love Song is a beautiful, haunting and timeless love story with no beginning and no end. The fresh storytelling approach fits Graham Greene's description of a story as something one arbitrarily chooses that moment of experience from which to look back or from which to look ahead.Shen Buyan is a professor and popular chronicler of the life of the wicked demon queen of Nancheng that lived thousands of years ago. She is reviled by history for killing a virtuous prime minister and living an extravagant life. Shen Buyan comes into possession of a mysterious jade artefact under an ancient wishing tree that sends him back in time. He discovers that all is not what he expected it to be. He meets the badass Lu Yuan and she moves him so much he wants to change her life and tries desperately to put a stop to a treasonous plot. The story told from Shen Buyan's perspective is in reverse chronological order. Each time he travels to the past, he goes back further in time. Thus the first time he meets Lu Yuan is when she loves him most. And the first time Lu Yuan meets Shen Buyan is when he loves her most.
The plot design is innovative and invites multiple rewatches. The first time I watched it in the order the production intended but you can really start anywhere as the story is a continuum that can be started at any point and can be watched forwards and backwards. Shen Buyan and Lu Yuan are star crossed lovers 有缘无分 destined to meet across time and space but not fated to be together. But because it is a love story that has no beginning in many ways it also does not end. Their enchanted love affair spans thousands of years. Surely that has to be enough.
I cannot praise enough this impressive low budget production that punches above its weight and originates from a fan made video. It is clearly a passion project that the entire cast and production team put a lot of heart into and it shows. It is anchored by the spectacular Zhang Yaqin from Love in Between. She is gorgeous and baddass here too and effortlessly and convincingly transforms from the 36 to the 18 year old Lu Yuan. Shen Buyan is played by Guo Jianan, a bit of a cute newbie actor that takes awhile to get into character but he gets pretty good by the end. The young cast overall delivers charismatic and empathetic performances. The villain role is especialy well done by a young actor with great screen presence and gravitas.
This is a must watch drama that I enthusiastically rate 8.5/10 overall with a story by itself that is worthy of at least 9.0.
PS - Be sure to catch the special, told from the FL's point of view.
https://www.youtube.com/watch?v=rYPDTcUwJqQ&t=71s
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If I have to describe this drama in one word, I'd say it's "nostalgic". It does seem like an obvious choice since it's a story about past life, but making a mere viewer like me constantly feel warm and comforted by the characters and the bond between them is not something other past life stories can easily do. This is the product of seamless writing, talented cast and their acting, mesmerizing music and phenomenal cinematography. This drama is at the very top of productions of its kind, it will stay there for a long time, and it has possibly exceeded the standard value of other genres as well.
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The story, for me, sums up into a beautiful story about destiny and camaraderie that surpasses the boundary of time. Instead of being something completely new, it surely makes a lot of new choices in characteristics, settings and storyline.
You will experience this simple concept of love and friendship on two timelines: one is back in 1930s Kyungsung (Old Seoul) when Korea was under Japanese rule, and one is in present time Seoul. Although the present time is their main timeline and their past is shown as their recollection, both timelines have their own weight and are laid out equally well.
The main characters are this story's forte. In the present time, we have a bestselling writer who appears snobbish at first but opens up into a very thoughtful person, a ghostwriter who can look both like a caring gentleman and a lonely lost puppy at the same time, and lastly, a fan who is strong, caring and rather very respectful for someone entitled "number one fan". They really are a bunch of good qualities which you can't help but fall for.
These three characters are then tasked with a mission to find out what truly happened in their past lives that makes things the way they are in present time. As they recall past events together, they develop a strong bond just as how they did in the past – if not even stronger because now they also have a chance to learn things about each other they previously didn't know.
At the same time, their past timeline is where the political genre comes in. It's not heavy on politics at all, I can assure you. It rather weaves this setting into the main message very nicely because here our main characters share their passion in fighting against the Japanese for liberation. It's rather super romantic, I must say. "To protect the love I couldn't protect in my past life. To meet again in a liberated homeland and love freely." – This quote says it all.
Other than that, this story gives you a good laugh. Side characters are as three-dimensional as the main ones, and many of them will surely grow on you. Also, this could be because I'm Korean, but even their dialogues and choice of action are three-dimensional. Every word they speak, everything they do, has a good reference and reason behind it. The constant mention of supernatural beings is witty, and how they involve famous quotes, poems and authors really fits with the plot. I can't praise this drama's writer enough for her super well-done research. There's really no plot hole or boring/dragging moments.
And, oh, did I mention? The said writer is Jin Soo Wan, the amazing writer behind Moon Embracing the Sun and MDL users' all-time favorite Kill Me, Heal Me.
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For the cast, I have seen almost every single one of them in their past works, and they still didn't remind me of their other characters at all, which is always important. They were so alive in their roles. I specifically want to praise our leading cast Yoo Ah In, Im Soo Jung and Go Gyung Pyo who had to take on two roles each for their separated present and past characters. They all nailed it. Additionally, Kwak Shi Yang who portrayed the antagonist deserves extreme compliments. The fact that he made me utterly hate his entire being proves that his acting was marvelous. That is an A+ for someone who's been in the industry for merely 3 years.
Another thing I fell in love with was the music. This drama's OSTs are gems – not only because we have golden voices like Baek Yerin and SG Wannabe but because the lyrics were written according to the storyline. The music cues are planned out so well that it's almost cunning. They appear at every right moment to add meaning to what we're seeing on screen, and often times they call for tears. In other words, they are not just background music but part of the storytelling itself. Don’t ever forget to read the meaning of those songs, and you’ll be in awe.
Likewise, the cinematography, the costumes, sets and their props are also impeccable. "Visually stunning" describes this entire production. This is one of those few dramas that you can pause at any moment and get a beautifully-composed still image. Present day Seoul and 1930s also have a clear line between them – both done beautifully from a lot of research. The color is graded in a cozy lukewarm tone and will make you feel like watching a beautiful independent movie on a big screen.
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Romantic, evocative, delicate, sentimental, homely.
“Nostalgic” it is. Nostalgic really sums up everything.
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Witnessing how this drama played out every week felt just like witnessing a piece of art. I never thought I'd have a chance to give straight 10s on a review, but this drama felt like an exception from the very beginning, and it never disappointed me until the end. If this isn't enough to make you decide to watch, I don't know what else will.
I don't think I'll be able to get over this drama in a very long time. This drama is my home.
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1This review may contain spoilers
BL that manages to be more than BL in some ways
In a nutshell:The story is interesting though some may bemoan the way the series doesn’t seem to have a major conflict or point of tension for quite a few episodes. However, the series never feels slow or boring to me. There is a lot to love about this series because it doesn’t always tell the story in an in-your-face manner. But this could well be its weakness too. For example, if it had emphasized how one of the main characters’ (Pharm) incomplete recollection of his previous life early could pose a problem to their relationship, the tension and suspense built could have maintained the interest of more viewers.
In a coconut shell:
The series starts with the tragic double suicide of Korn/In, certainly not the lighthearted schoolboys-fall-in-love stuff that is so common in BL (though the characters are students). The double suicide is the result of parental objections to their relationship because of their sexual orientation, a rather serious consequence compared to popular BL series that treat the topic of objecting parents less seriously (e.g. Together with Me: The Next Chapter in which the parents change their minds, and Dark Blue Kiss in which the parents are surprisingly open-minded). The seriousness in tone, though not all that persistent, makes it different from a lot of BL that focus on the couples’ relationship without such a strong regard for the society in which the story is set). Where the Dean/Pharm story is concerned, the use of common BL tropes (like a “straight” guy falling in love with another guy) is rather sparing. This may be a good thing, but the side couple (WinTeam) may appeal to BL fans more and may be more conventionally BL.
In the parts of the story that use common BL tropes, the series does become more like BL and somewhat less realistic. The inclusion of a BL fangirl of sorts (Manaow) and the way Dean’s swimming team do not seem to bat an eyelid when their captain brings his boyfriend with him on a team outing are where BL fans find themselves in familiar terrain, though we can guess how often that happens in real life in Thailand. Interestingly, these elements seem to be used to contrast past and present, making a point about how increased openness towards homosexuality in society makes a huge difference for same-sex couples and even the two fathers who live in regret after their sons’ deaths. The society in the Dean/Pharm parts of the story feels much less oppressive that the atmosphere in the Korn/In story. We can see this from the minor characters’ behaviours: whereas Pharm’s friends accept and encourage his relationship with Dean, In’s good friend only quietly feels happy for him when he sees In together with Korn. Such subtle touches make the story rather interesting and worth re-watching.
There doesn’t seem to be a rush to bring the plot to new heights of tension. There is neither an excessive preoccupation with kissing and sex scenes nor an aversion to them. Although a number of viewers seem to find UWMA to be rather slow-moving or that it’s not clear where the story is going, I have a different opinion. In fact, the story is fairly well-paced, with the flashbacks seldom being unnatural as they show the parallels between the previous lives and the present lives. I suppose one thing that frustrates some viewers is the way the Dean/Pharm storyline doesn’t seem to have any obvious conflict for a large part of the series, which may give the impression that it is going nowhere. However, I like the way events are foreshadowed and how the characters slowly recall and come to terms with their past lives. As I watched each episode on a YouTube playlist, I get to the last part before I know it (it’s quite a different experience when it comes to series like I Am Your King Season 2).
Another aspect of the series that I like is how Dean and Pharm have different personalities from their past lives. The differences are more subtle in Dean, who seems calmer but also more determined to make his relationship work out than Korn. As for Pharm, while he’s clearly attracted to and in love with Dean, he does not rush into the relationship. As a really good cook, Pharm is set apart from In who cannot cook to save his life. This difference isn’t merely superficial for the patience and skill with which he cooks indicates a different personality. Both Dean and Pharm seem to have “learnt” something from their previous lives. The dynamics of their relationship are somewhat different too. While we see more passion between Korn and In, we see more tenderness between Dean and Pharm. The interplay between the parallels and differences indirectly creates suspense: will the couple finally have a happy ending, or will history repeat itself? Most of the time, the story seems geared towards a happy ending but there is foreshadowing of a problem to come, especially in a scene where a monk reminds the couple of the importance of forgiveness. In the end, we see that Dean/Pharm must reconcile with the people in their past lives and settle their unfinished business before moving on as themselves in their present lives. It seems paradoxical in the end, but it makes sense: Dean and Pharm have acquired new identities and cannot be living in the shadows of Korn and In forever, so while accepting that they are reincarnations of Korn and In, they must still be able detach themselves from their past lives. (An interesting scene in the last episode with Dean and Pharm dreaming of Korn and In as third parties and not as themselves for once shows that they have finally managed to move on as Dean and Pharm, not reincarnations of Korn and In.)
I also love WinTeam in this series although it often looks like the WinTeam scenes are a teaser/test for a possible Season 2 which will focus on them. I would love to watch a Season 2 with WinTeam as the focus though even with the same production team, I believe a Season 2 with WinTeam will be enjoyable in a rather different way. If this series doesn’t appeal to you, you could still give Season 2 a chance if it is made.
Edit: After considering why I've been feeling that something is a little lacking in this series despite my love for it, I realize that there isn't that much on how the characters fall in love. For Dean and Pharm, each immediately feels like the other is the one on first sight because of their past lives, so we can only look to Korn and In. But while we can see the depth of Korn and In's love, we don't see enough of what makes their love so strong. Our involvement in their story would be stronger if there had been a bit more showing Korn and In's love for each other.
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No need to worry if you don't like heavy drama, it won't be that of a heavy drama at all, the overall cozy ambiance compensates for its heavy subject matter. This is a slice of life/food drama after all, so you can just chill, watch and enjoy. This is very similar to the Japanese movie "Little Forrest", they will show you how they cook the food then proceed to story, but unlike "Little Forrest" where it is 70% cooking 30% story, this drama is 80% story, so it has more plot and you won't lost into the story.
If you think it's already a big deal when Ossan's love uses mainstream actors to a gay drama, then this is more big deal than that. They not only have mainstream actors but established A-list actors. To give you an idea Hidetoshi Nishijima has a reputation of a tough guy in Japan, similar to Jason Statham in Hollywood. I also think it's a genius idea to cast him as the closet gay, his demeanor matches the character very well. Uchino Masaki (Tonbi, Jin), another A-list actor, portrays the more feminine character. Among the two I considered him the better and the more versatile actor, and this character he portrayed just added up to the vast range of characters in his resume. The chemistry of them both is phenomenal, they argue and makeup like a real couple. They also made decisions that even straight couples will be able to relate.
One of the highlights of this drama is when Kakei's mom told him "tell your co-workers you're gay, there is nothing wrong with being gay", and the actress who said this savage line is none other than Meiko Kaji, famous for Lady Snowblood series, the granddaddy of revenge movies which inspired Tarantino when he made Kill Bill. If you just realize what Lady Snowblood represents that time, and how it connects to what this drama represents this time you would also say the casting for this drama is really something, it's freaking genius.
Watch it not because it's a gay drama, watch it because it a very good story portraying a couple having struggles in our society and how they overcome those hurdles to become happy. This is a little gem here my friends.
FULL REVIEW
https://thatjapanesedramaguy.blogspot.com/2019/07/drama-what-did-you-eat-yesterday.html
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The most youthful youth drama!
The best youth drama I have watched this year. Felt like I lived the high school life I always wanted through them. The scenes did not feel like cringe at all but showed how crushing on someone at that age looks so innocent and lovely. No unnecessary dramas and no dull moments. The love between them won my heart and got me kicking the air and dying of jealousy. However, I find the lines to be more powerful and even a simple line went really deep to my heart. A simple drama that I can't recommend enough!Was this review helpful to you?
Revolutionary
I can't even put into words the importance of this drama not only to me as an aroace person but as a whole. I have never in main stream media seen an aroace character let alone two aroace characters explored and developed in such a beautiful and caring way. I could go into extensive detail on why this drama and representation is so important but the review would incredibly long so I'll try and keep it as short and sweet as possible.The issues and also the joy in finding your aroace identity and living as an aroace in such an amatonormative world was explored so well in this drama. The exploration of Takahashi touch aversion has left me speechless, the way they handled it with such care. I've never seen touch aversion explored in the way that Koisenu Futari did and I think it will stay with me forever. One particular scene, which I won't go into detail due to spoilers, left such a massive impression on me and I think that's thanks to Takahashi Issei's portrayal and acting within the scene.
Everyone behind this drama went into it with such care and they handled everything so beautifully. You can tell that with how they explore even the hardest parts of finding and accepting your indentity and the reactions of those closest to you. It was hard to watch at times but it was necessary to see because so many aroaces experience the things that we see both Sakuko and Takahashi go through or even fear that they will go through that. So to see the hardest parts shown the way that Koisenu Futari showed us makes you realise that you're not so alone in your experiences and fears as you think you are.
What I loved about this drama the most was how I could see my own story reflected in both Sakuko and Takahashi depending on where in my aroace journey I was. I'm so grateful that this drama exists. Thank you to the writers, to the actors, to the producers, to everyone behind this drama for giving us this drama, for wanting to explore such an unrepresented identity and to do it with such love and care. This drama will stay with me forever.
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This review may contain spoilers
A deeply flawed drama with absolutely phenomenal acting, gorgeous sets, elaborate costumes, layered characters bogged down by inconsistent pacing, questionable editing and unsatisfying scripting, especially towards the end. I love this drama a hell lot, followed it from its initial broadcast which I've never done for cdramas. After watching the making of documentaries, I deeply appreciated what this team tried to do, but its flaws are also so apparent and hard to overcome that I don't know how to recommend this to anyone, but I still want to so I'm going to try.The plot is actually about princes' power struggle with sprinkles of romance, the focus is on Ning Yi, Feng Zhiwei plays second fiddle to him, do not come in looking for romance, you will probably be disappointed. Their interactions were actually pretty jarring compared to the rest of drama due to its different tone. It was super restrained, there were no real kiss here, I'm serious! There were just scenes hotter and cuter than kisses. I do like what's shown of their romance, it's nice to have an OTP who understand each other on a fundamental level and have similar ambitions, even if they disagree when it comes to methods. It meant they don't really go through misunderstandings, until the drama crashed and burned in the last 10 episodes, but I digress. It's lovely to have a drama that cared so much about details and trusted the audience enough to interpret things that's half said, the schemes were fun since everyone, including multiple antagonists who were smart, so it was always multiple parties trying to further their own agenda and screw up lead to unexpected circumstances. The protagonists weren't infallible either, they disagreed and sometimes they end up doing things that would seem unwise to the audience. This drama doesn't really play by the books.
The thing is, the first half of the show, up to ep 45 is fairly steady, packed with lots of information in each episodes. Then Minhai arc got shaved off probably 75% because of NRTA*, which ugh but can't be helped, we can make out important things that happened (it's all in the dialogues) but that's a pretty bad viewing experience. It returned to normal with some explosive acting, Jinshi arc was relatively simple because scriptwriters couldn't really touch it but I think it was mostly fine, Dayue arc got probably 30% cut, but it was mostly still there. Then came the last arc, which I'll just say features a lot of sudden appearance, sudden deaths, sudden misunderstandings (which will get cleared up, no worries! but it sure as hell shouldn't have happened) I suspect that the ending was a very rushed rewrite (which would explain all the plot holes) and the pacing was 3x of the earlier episodes, making everyone who stuck around for 60 episodes fairly confused. The events and character motivations do make sense if you analyse it and fill in the gaps, but they needed more lead up, foreshadowing and detailing that it was so good at before. Never have I, after watching 70 episodes, wanted to have more episodes so the story wouldn't feel so jarring. I honestly think when they edited it, they should have repaced the drama, if latter arcs were cut due to main plot not popping out, this is NOT how you pop it out.
Ning Yi, as a protagonist is one of most layered character I've seen. He is a gifted manipulator, but also someone who care deeply for people close to him because of his childhood. He can be ruthless to his brothers. childish and awkward with Zhiwei, utterly broken when it comes to his mum. He deeply wants a father-son relationship with the emperor but they sort of can't, as being an emperor means being on guard even against your son. He's pretty morally grey, but some of his lines were dubbed over due to NRTA (most notably, end of crown prince arc and the ending). Chen Kun did an astounding job playing Ning Yi, I was quite bemused by his overacting in the first episode. which I know can put off people, it's just Ning Yi likes to be on the edge and taunt people. I was also not a huge fan of his long hair look, but it did signify Ning Yi's carefree attitude. Chen Kun can definitely overact at times, rather like stage acting, but he's also very good at microexpressions and small gestures that just make some scenes so much more real.
Feng Zhiwei is the female lead that I love through and through, even if I'm somewhat disappointed with how they wrote her. To make her more realistic (compared to how OP she was in novel), she was made into a smart but bit naive and impulsive girl who gets dragged into power struggle for the throne and had to grow. That's fine, except Minhai arc was basically her time to show her abilities is equal to Ning Yi got cut (because the main plot doesn't pop? political reasons? idk). Jinshi and Dayue both had limited time and significant changes, so while she wasn't helpless, she was still partially damseled to prop up Ning Yi more, who honestly doesn't need more focus. I know the romance is linked to the plot but it's just badly plotted. I do appreciate that FZW is more straightforward, so she tends to lead the romance. I LOVED Ni Ni who portrayed her, she's gorgeous as a man AND a woman, and neither looked jarring. She had some of the best crying scenes I've seen and had wonderful chemistry with her co-actors. I shipped the otp so hard and was deep in otp hell for a long time after this drama.
My other favourite character is probably the emperor, who was the smartest I've seen in recent years. Emperors in these kind of dramas are usually overly suspicious or useless, and he's neither. He's not a good father or even a good husband, and I'm pretty sure he's sort of an antagonist but that doesn't stop him from being a complicated person. Thanks Ni Do Hong, I'd watch all your scenes all day long. Headmaster Xin had great chemistry with Ning Yi, they shared the same goal but had very different methods and priorities making their scenes a blast to watch. The various princes all had their shining moments too!
It's such a shame most of the people around FZW's characterisations weren't as layered. Her mum was rather conflicted between reviving the kingdom and having her live peacefully, but she was one of the big reason the OTP didn't proceed as well so it's somewhat hard to like her. Her brother is kind of an idiot but had a few nice scenes that I really liked. Gu Nanyi had awesome lines and decent character development, but we weren't show how that happened. I'm actively mad about how they cut out Hua Qiong, who was originally promoted as a main character, and reduced to essentially cameos. Her scenes were largely in Minhai arc, she appeared later and played pivotal role as a best friend and in a scheme then was promptly written out of the story, excuse me?! There wasn't even mourning for her? Helian Zheng actively seemed like he was in a different drama just because of his behaviour and he literally couldn't follow along what Zhiwei is thinking, good as comic relief I guess. I suppose he could also be used as a contrast against Ning Yi, but they also hastily wrote him out of the plot.
Honestly, I think they were too ambitious when they wanted to fuse power struggle + romance, where the OTP can go head to head, they lost their balance. The romance and anything involving the female lead had noticeably more plot holes and was weaker. They also tried to make it more realistic but still fuse in book characters, I love them a lot and would have liked to see a realistic version of them, but I'm in the minority. They should have cut their loses and fused more characters or plot lines. Jinshi is honestly not really needed as an arc, FZW could have gone elsewhere. If it was for uniting the kingdoms, the drama didn't really accomplish that either (whereas the novel managed to establish an alliance there). Dayue had very nice characterisation moments, but it wasn't plotted that well, they could have written other scenes to get the idea across.
I must emphasis this was recorded live while filming, which is super rare in recent years in historical cdramas due to noise pollution, accents and actors' acting. The drama usually have ambience sounds as bgm, and only play its insert songs during important moments. The sets and costumes are exquisite, I did spent fair amount of time just staring at them. I loved the use of go/weiqi, the tea pouring, the small differences in manners in different countries. I'm a little mixed about the dialogue, I have been taken out of the drama by some rather modern words, but it also quote a lot of classical Chinese, some rather cleverly (like when FZW became imperial adviser) , some I had to look up but got its meanings through context, some were just plain wrong. I appreciate the attempt but they could definitely have made it flow better, rather than feeling like they just dropped it into the drama to look well studied.
Despite all of its issues, I still loved this a lot and will probably rewatch it just for acting and characterisation, which is something I basically never do, as someone who largely care about plot. I deeply wish the female characters played bigger roles as they had likely intended before, but even as is, I still love them because they are different and varied, and they are allowed to be flawed, to make mistakes, just as male characters are. I would love to see more effort in fusing more serious elements with romance because that's much closer to life than just fluffy fun times or only serious business time.
P.S: *NRTA is the government agency that all cdramas have to go through, this drama went through it at least twice and they also had people come in half way through filming to check on their progress, and part of the script were rewritten on set. Historical dramas, especially ones that go on prime time slot (this one is, the only other one this year is Ashes of Love) are subjected to stricter scrutinisation, this year have gotten even tighter. Main characters can't be overly dark which is why some of Ning Yi (and maybe Zhiwei?)'s lines were dubbed over.
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This review may contain spoilers
I wanted to wait until I had processed the ending of this drama before reviewing it. The emotional investment I had in these boys and their story stopped me from writing down coherent sentences at first. But here we are, a week later! For the first few episodes, we see a fairly regular (and wonderfully done) set-up between an A+ student with a poor background and a rebel with a soft heart. I must say, I really fell head over heels for both boys and how soft they are with each other. How much happier Shigu became after gradually letting Haoting inside his heart and life. Haoting shouting from the rooftops how much he loves Shigu...
The promising flow of this story was what disappointed me and resulted in a lower score overall after the last episode aired. Having Shigu die, off camera, and fast forward 6 years felt like a cheap trick for making the audience cry. An ending can be sad without being disliked. This was just bad writing.
Why not let Shigu be sick from the get-go and let the audience experience them fighting-perhaps even losing the fight, but alongside them? Why not show us what happened on that god-awful day and watch Haoting pick up the pieces of his life and move on? Both would have been a lot more powerful in my opinion. And both Wei En and Juan Zhi could have carried that as actors.
I think the decision to take Hao Ting's incredible love for Shigu and make it so he seems stuck at 18, broken and unable to move on, too much. The LGBTQ community has had enough of those sad and useless endings, dramas don't have to be lifelessons. They don't have to have the shock-factor this writer aimed for. Sure, we were shocked. But also pissed off. And I was unable to even talk about it because I was so upset that a poor boy who finally found love and warmth got ran over by a car we didn't even see. One of Haoting's lines at the end even insinuates he'll go climb the highest mountain in the world and die there to be with Shigu again. Healthy image for queer romance? I think not. Sometimes it's okay if dramas wrap everything up in a little bow, making people happy can be just as powerful as making them cry.
I guess in the end, this was not what I signed up for when I started this and therefor I cannot stop my emotional reaction of giving it a lower rating. I do wish for the actors involved to get more work and recognition through this, as it is thanks to their performance that the ending hurt so much and the happiness made my heart soar.
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