Reviews

Mind Bendingly good ... literally

WOW this was a surprise masterpiece ... a beautiful feast for the eyes and ears and mind ... the script was so psychologically intriguing and fascinating ? I have seen the anime and I really liked it too but I will just write about this movie as if it were a stand alone production.

The effects were brilliant from the galaxy in the sky to the golden dragon to the dream world ... it was beautifully done I thought. I loved the cinematography ... the different angles taken, the contrast between the often muted, blurry and dark gloomy backgrounds, which were 'lit' up by such vibrantly luminous colours in the costumes... the beautiful ultramarine blues, permanent roses and rich cadmium oranges ... as well as the luscious quinacridone gold rays of light that broke through the gloominess. It was so visually delicious. The costumes of the female characters were beautiful and exotic looking and I loved seeing their lovely black hair loose, the length of which nearly fell to the ground ... a beautiful combination that oozed a exotic kind of simplicity.

I loved the theatrical stage feel to many of the scenes ... it worked beautifully with the imagery and various sound effects from the natural surroundings and from the music and also just from the 'silence'. I loved hearing the sounds of bare feet walking and running of the wooden floor boards, the rustle of the long robes, the silence that was broken by the ethereal sounds of the flute ... calming, mysterious and hauntingly beautiful. I loved those kind of kabuki sounds when that 'demon' person was dancing his curse on a stage. It was a wonderful auditory feast.

I loved the 'old' kind of lore presented in this movie ... it was as if it predated the sort of yokai and oni I see in anime and manga. This was so fascinating especially when contrasted against the cool level headed observation and logic of Abe Seimei. The symbolism was profound ... how it linked to the incredible power of the mind and it's 'blind spots'. The way those old masters took advantage of those weak spots to manipulate and perpetuate their power base. It was a covert old school craft of misdirection, manipulation and social engineering ... taking advantage of not only how the mind works but also of people's egoic weakness and desires. This was really brilliant.

I liked Seimei's character and Kento did a good job with it. I liked the kind of cool arrogance he had in contrast to the foolery of all the apprentices and their masters. I liked his value system regarding the trickery and the perpetuation of superstition just to keep their power base and social and political hierarchy.

It was interesting to me that in spite of that he still took the role of Artificer .... in thinking about why he did that, I see method in his choice ... there are many manipulators out there that can, and do, wreak havoc among the populace ... by taking this position and therefore putting himself in line to work with the emperor ... his is like a Yin to their Yang ... a counterweight balance. Nice ◝(ᵔ‿ᵔ)◜

I really liked this little movie ... it was jam packed with all sorts of wonderful things ... and is definitely rewatchable. I really enjoyed it and it was a 10/10 movie experience for me as it kept me engaged mentally, visually and auditorily ﾟ:･*･:(๑ᵔᴗᵔ)･:*:･ﾟ

Read More

The zombies aren't to be feared.......

as much as the monster, the father. Outside is a movie based on a family's struggle, the decline of said family, and death of, against the backdrop of a zombie outbreak.

The father's childhood trauma, and subsequent c-PTSD, and his knowledge of his wife's infideliity with his older brother, which resulted in his oldest "son' being born, is the core of the storyline.

His wife is the mother to 2 sons, the latter of which, is the father's biological son. The wife warily navigates her husband's animosity towards her. At one point, early on, they have a *short moment of lust* for one another, then the angst resumes.

By just over the halfway point in the movie, the father has already sabotaged his family thrice. Deliberately withholding info and lying about said info, and burning a map his brother had left with him of the possible Camp the wife and oldest son had mentioned earlier. When that 'scene' during the Christmas dinner is shown the viewer knows the father has completely lost all reasoning and is on the edge of madness.

The movie is about the family. Their relationships with one another. It isn't about the zombies. The family's failed struggle IS the basis of Outside. The movie could have survived without the zombie outbreak as a plot/plots. I wouldn't recommend this to anyone unless they're into intense family dynamics that aren't resolved except by death.

ps. The focus on the father's 'item' from his father was especially poignant. Time, for the father, once he was back in his childhood home, had stood still.

pss. The zombies shown on screen were much better portrayed than the movie poster, and yes, they can talk. Their utterances rasped with their concerns or fears in their zombie state.

Read More

[The given categories for the star ratings do not fit at all for a documentary, so feel free to ignore them. I wish it were possible to post a review without them, but here we are.]

In "Sumodo - The Successors of Samurai" the director is allowed to enter two prestigious sumo "stables" (that's the word given by the subtitles in JFF Theater) to film the daily lives of sumo wrestlers. He films them during training and during downtime -- I was amazed at how close the director got to the wrestlers, and how open they were with him about their hopes and struggles.
Given that Sumo wrestlers do see themselves as the successors of Samurai (which is historically not quite unreasonable, as the documentary explains), and that Japanese society is not known for people openly speaking about their inner world, this is quite the feat!
(The film team is even invited to a wedding.)

Because of the closeness, the documentary is able to show us both the exterior of Sumo (the history, the stables' PR and, of course, the competitions) and the workings "behind the scenes". This documentary could have been a film focused on the fights, on the powerful bodies and the excitement of the tournaments -- it is that, but it is tempered by what we learn about the people -- real people with profound thoughts, with feelings, with bodies that sometimes fail; people who continuously push their boundaries and strive for perfection, even if it means to endure pain and suffering.

I started without any real knowledge about the sport -- the documentary was still easy to follow and I learned a lot. Since it's made for a Japanese audience, there are some things left unexplained, but it's still an educating watch.
If you have the chance to watch it, then I recommend to do so!

Read More

Trial By Afterlife °7.2° °good°

It opens at the close, for our ML, a fireman who dies while heroically saving a girl's life. The next thing he knows, he's walking toward the Gate of the Afterlife, where he can be reincarnated after completing seven trials: betrayal, violence, filial piety, murder, indolence, deceit, and injustice.

AwtG2W, a 2017 239-minute release that is rated 86 on AWiki, is about these trials in conjunction with static from the living world as his family's drama continues to play out. It's a review of the hard decisions he had to make in his life, and it's quite moving, in spots. Along with his two grim reapers guides he barely escapes a couple of the trials. Quick thinking, and a look at things from another angle keep him from sinking to the bottom. (‘All you cared about was money? You are guilty!’ ‘Wait, he only cared about money because he had to provide for his mother and brother!’ ‘Not guilty, then.’)

The acting is seamless. Cha Tae-Hyun (Narco-Saints, Assassination,1987: When the Day Comes) is the lead, Kim Ja-Hong. Cha Tae Hyun (Team Bulldog: Off-duty Investigation, Moving) plays Kim Ja Hong. The somber Ju Ji Hoon (Kingdom-8.3, Blood Free-8.5, Team Bulldog: Off-duty Investigation) is Hae Won Maek. Kim Hyang Gi (Innocent Witness, Salon De Nabi) is Duk Choon. The Screenwriter & Director is Kim Yong Hwa (200 Pounds Beauty-6.5, The Moon).

The special effects are excellent (they are almost overdone) and the sets are beautiful. The Gate of the Afterlife scene is jammed with extras, creating a sprawling feel. The chase scenes are mad-good. There are no flaws. Despite its strengths, AwtG2W does not take our spirits and emotions along for the full ride. I liked this film quite a bit, but I didn't /love/ it. It's a fantasy thriller - a big budget one, and it's visually spectacular. At the same time, it is a simple tale of afterlife excitement with the message to not give up. Per Wiki, it is based on the webtoon series by Joo Ho-min & inspired by Joseon dynasty Buddhist paintings and early Buddhist texts of the Ten Kings of Hell.

Maybe it won't put your emotions through a trial, but it isn't dumbed-down in the least, either. “A sin that has been forgiven in the real world will not be judged in the afterlife,” one judge says. Would that were true. Work on forgiveness. I find that I cannot forgive without divine assistance, but the release of anger and hatred does enhance peace. It is something we can all work on to make the world less of a hell. AwtG2W has the right combination of fun, excitement, and depth to make it a good weekend watch for a family with teens&older as it reinforces the best ideals. None of us wants to be found guilty of betrayal, violence, filial impiety, murder, indolence, deceit, and injustice, afterall, do we?



〰 QUOTE 〰

Can we think about it while we run?

〰 IMHO 〰

RATINGS
Directing 7
Writing 6.5
Acting 7.7
Art 8.4
Sound & music 6
Ending 8 and it continues….

LEVELS
Warmth 5
Action/ Excitement 7.8
Laughs 2
Tears 6
Fright 4
Tension/Anxiety 3
Gore 2
Thought provocation 4
Snores 0

Re-watch? Down the road… maybe


Age 14+ Language: scattered R-rated - $h!+ × 3, B@$+@rd, F? × 2, Pr!(k, Pu$$y

In order of ~lite&trite~ to ~heavy&serious~ you may also like:

Modern Day:
Mad For Each Other 7.8 ~silly fun;
My Secret Romance 7 (if you ff thru overdone flashbacks);
A Witch's Love 7.8;
Love to Hate You 8.9;
Her Private Life 8;
Touch your heart 8.2;
Romance is a bonus book 7.9;
Boys Over Flowers 8 ~ melodrama to the max;
Crash Landing On You 9.1;
Oh My Ghost 10;
It's Okay Not To Be Okay 9;
Love Struck in the City 7.3;
Hospital Playlist 9;
My Mister 9.5;
More Than Friends 8;
I'll See You When the Weather is Fine 9;
Something in the Rain 9

Historical/Period:
My Only Love Song 8.7 ~ excellent comedy;
Live Up To Your Name 7.6;
Mr. Queen 8.5;
My Sassy Girl / Yeopgijeogin Geunyeo 8.5;
Saimdang 8.5;
The King's Affection 8.3;
Mr. Sunshine 9

Try a Chinese historical fantasy romcom: The Romance of Tiger and Rose 9.8

Action/Sci-fi/fantasy:
K2 8;
Private Lives 8.1;
Sisyphus 8;
Tunnel 8.1;
Signal 8.6;
Black 9;
Squid Game 8.4;
Kingdom 8.3;
Sweet Home 8.4

Read More

"Life is nothing but tragedy."

'Redlife' centers on two storylines that later on intersect in a tragic twist. The idea is not groundbreaking, but this film doesn't shy away from portraying the harsh realities of poverty and slum life. There’s a cleverly woven underlying theme of street gang, crime, drug use, girls' love, and prostitution, making it an intriguing watch for those seeking a glimpse into the gritty side of Bangkok.

Although the actors’ performances and the character arcs are commendable, the main plot falls a bit flat. The story of Ter and Som seems unpolished, with some noticeable plot holes that hinder its impact. Though it feels more like a melodrama, it lacks those poignant moments and depth that challenge you to reflect deeply on the hardship the characters are going through. The ending is rather confusing. Despite the flaws, this film has decent cinematography, depicting the sympathetic insight into the lives of the less fortunate in good visual detail.

If you're up for a mildly thrilling cinematic experience with some tragic stories, this film might be your cup of tea. For me, it's a one-time watch. I like the bleak/dark concept, but this film fails to deliver it well and make it impressive.

Read More

MALENA IS ICONIC

I did not expect a lot from Sine Sindak this year but the 150 pesos movie ticket is something I can really afford given the inflation rate these days.
The cinematography is top notch and the sound effect is commendable.
The story is different, something fresh, something new in the Philippines.
It only has few casts but all of them nailed their portrayals from Aubrey Caraan's toughie attitude to Heart and Xia who were cute. Andrea and Jeffrey are also convincing and they are effective as Nanay and Tatay, respectively.
I am giving this a 10 because of Elia Ilano, who is the star of this film. Malena is one of the best Pinoy horror characters (for me) because of the depth and portrayal of the character. Elia Ilano deserves more movies.
In addition, for me, this is Direk Roni's best movie to date.

Read More

Amazingly bittersweet.

I am so glad that I clicked on this movie.

Wow, this movie was so beautiful. It genuinely left me in awe. If I didn't believe in soulmates before this, I definitely do now! The journey of these characters was such a sweet and heart-warming one. Their scenes together were touching to watch; they had great chemistry. Being such a melancholic movie only makes it more special. While watching it, I kept thinking about how I didn't want it to end. Also-- Ayakas' journey with them was a nice addition.

I really loved this movie! This has become one of my favorite movies. I 100% recommend watching it!

Read More

T.I.L.Y. is like a Fever Dream, a colorful whirlwind of emotions

Different people in 3 different kinds of loving relationships, even presented in different genres of film one might say, all packaged in a 2 h movie. The characters don't feel particularly "Japanese", but that adds to the overall slightly fantastic character of this anthology. I don't think it's to be taken dead seriously, but like a fever dream, an a bit exaggerated version of our reality, where everything that happens is accompanied by a tad of magic.

The film made me cry and it made me laugh and it made me think about the relationships I have with the people I love. So my conclusion here is: It's definitely worth watching.
The soundtrack is beautiful too.
Ok, this is my humble opinion ~

You get the film, if you don't measure everything against the reality we live in and embrace the message.

Read More

watch it and sob

Allergies. I’m not crying, you’re crying!

(Not the most original story but it managed to have its own identity in such a short span of minutes. It’s sad that it’s this sad, but at least I knew that going in. I could see this developed into a full picture or a miniseries, though that would be the devil’s work ‘cause imagine a full hour or MULTIPLE HOURS of enduring the pain of just knowing. Don’t anyone there! Let it rest.

Anywho, I was testing this to see if Bible and Jes were good together and it totally managed ti convince me to go watch 4 Minutes now, so that’s about what I’m gonna do now!

Read More

After watching the Onmyoji anime on Netflix and thoroughly enjoying it, I became interested in watching Onmyoji 0. I anticipated an epic battle between the Onmyoji Abe no Seimei and demons, with the noble Minamoto no Hiromasa by his side. However, I was somewhat disappointed because the story deviated significantly from my expectations and the original concept of the anime.

Key Points:

- The film lacks demons, so there’s no battle to save the world.
- It features a conflict between good and evil.
- The movie explores Onmyoji's training, hierarchy, and power struggles for position.
- The use of magic was limited
- The movie also explored the hypnotism
- The CGI was impressive.

Read More

this is amazing

the cast and crew did an incredible job with this movie, it’s fantastic and I will be watching it again and again for as long as I live, I loved everything about it, and the message of the movie was very well executed, you will feel immersed in the whole movie, I didn’t even realise that it was over until it was, which is hard for me to experience, because I watched so many movies and TV shows, I was scared and shocked, excited and nervous, raged and terrified, from the beginning I was hooked, I couldn’t stop watching even if I tried, I had to know what happens, I’m so impressed with this.

Read More

I placed spoilers at the end of this review.

I love doing comparison reviews when a BL series is edited into a movie. It’s just bizarre I had to wait over 1 ½ years to do this one. What is even more bizarre is I had to use a VPN to watch the movie edit of a Viki original series on GagaOOLala. This is especially weird considering that Viki released three other Korean BL series (one of them also a Viki original) after this series which all were quickly edited into a movie within the same year of its release.

The movie/series: This had an interesting storyline. The script was simple but good. I love how they used Woo Jae’s web-based novel to mirror the main couple’s situation. This helped explained both main characters’ feelings. It had nice cinematograph but the flash back scenes in the beginning was a little confusing because it was not clearly marked. The acting was good with the usual exception often seen in Korean BL series/movies.

The movie: The movie has a different starting point because they edited out the opening credits and the first 2 minutes from the series beginning. Overall, the move version was ok. They did a great job editing it into a cohesive movie. However, they made a few poor editing choices with the scenes they cut out. I know this was probably done for timing purposes, but the storyline did not have the same pacing it had in the series. On a good note, it did not affect the relationship and story progression in anyway.

Random Notes:

I strongly recommend watching the series version (on Viki if you can) because the pacing had a nice, even flow to it. Another reason is the movie’s English subtitles were very bad (I did not take points off for this).


******Spoiler Alert******

Although it was a bit extreme, I get why Woo Jae left. However, I don’t fully understand why he showed such hostile anger towards Yeon Woo. Especially considering he is the one that left without telling Yeon Woo.

The usual exception of course were the kiss scenes. I don’t need the actors to suck each other’s faces off, but at least kiss with some emotions. if the actors are not willing to do a proper kissing scene, have them kiss each other on the check or them hugging. Again, not every BL series has to end with a big make-out/kiss session.

Read More

Slow burn, needs a remake

Adore the manga so decided to give it a try as well.
The story focuses on their love story, it was a great idea to ,,allow,, the audience to hear what the characters are thinking. The characters fit each other so well, it was lovely seeing them slowly fall in love. It is a slow burn but it never dragged just gave them the time they needed, most of the time one of the characters falls first and pursues the other but here they both start from 0 feelings for the other.
It is an older movie and it shows from their phones, rooms, haircuts and the way it was filmed. The chemistry lacks but it is an older movie, for its time I would say they did an OK job. One of the actors did a better job then the other when it came to acting.
It was a simple, cute love story perfect to enjoy with a warm drink on a cold night and I enjoyed it, the manga is better but they did a good job.

Read More

A beautiful paradox

At the heart of the incredibly titled Beach of the War Gods is a beautiful paradox, one built upon love and shame, it's wuxia mayhem by way of Kurosawa and Leone all filtered through the eyes of Jimmy Wang Yu. Whilst hand-to-hand combat had started to become the name of the game following the dawn of the 1970s, this film sees Wang Yu take a decisive step back from what he was more well-known for, to make a film in the genre that had previously dominated, the wuxia. Granted, it does look a little rougher around the edges than many of its contemporaries, but its ambition and scope are to be marvelled at. Wang Yu makes fabulous use of the wide frame with some brilliantly composed and thoroughly beautiful shots sprinkled throughout. It's enriched with depth, movement and a constant visual interest to keep you engrossed with wind machines regularly blasting away, waves crashing dramatically and fire adding powerful amounts of colour. And this is all before I mention the film's awe-inspiring and action-packed finale that brings 25 minutes of uninterrupted magnificence to the forefront. Yes, the characters and plot are exceptionally flimsy and the dialogue is superficial at best; yet the stripped-back approach works in Beach of the War Gods' favour, never intruding upon its gloriously bloody action and rushing towards its lengthy, epic final battle without any fat getting in the way.

Read More